To quote the well-known television series The Prisoner, ‘who is number one?’ Here at the Romantic Novelists’Association
our first applicant for independent membership was Alison Morton. We welcome
her to the RNA blog to tell the story of her writing career so far.
“Independent”
could be defined as the freedom to act and to have control over your destiny,
and the responsibility and power to make your own decisions.
“Independent author” has grown out of the self-publishing
movement. Originally, self-publishers
 |
| Alison with Carole Blake |
wrote their book and posted it on Amazon.
Job done. Before then, and if you had the money, you could contract with a
subsidy publisher to produce a garage full of hard or paperback print books. Now,
self-publishing has matured, professional services such as editing, cover
design and formatting have grown as have assisted publishing services offering
full support packages.
Inevitably, there are a lot of substandard, and frankly rubbish,
books out there for sale as a result of this democratic revolution. Some
originators of content (I’m not calling them writers) don’t care or don’t know
any better; they’ve produced words in a file, sometimes with great emotion on
their part, and sent them off into the digiverse without any check.
However, serious self-publishers know better. Alongside other
writers (however published or aspiring to be published) they will have joined
writing groups, listened to other authors, read magazines, self-help books, had
their work critiqued, attended conferences and gone on courses.
I’ve always been a ‘wordsmith’. Translating professionally for
much of my career has made me nit-picky about words, grammar, punctuation,
document cohesion, theme and structure. After selling my translation business
in 2009, I started writing my first Roma Nova novel. Next, at the urging of my new critique partner, I joined the RNA
New Writers’ Scheme in January 2010; this led to courses, parties, conferences,
parties, meetings, parties, London & SE Chapter meetings, parties…
After that a six day writers’ boot camp, an Arvon Foundation course on commercial fiction (Mavis Cheek and the late, great
Paul Sussman as tutors), the
Festival of Writing at York where I met mentor (and
first endorser) Adrian Magson, multi-selling crime and thriller writer.
Tumbling after that were memberships of the Historical Novel Society, the Alliance of Independent Authors (ALLi), International Thriller Writers, Society of Authors and visits to the London Book Fair. The crucial thing is to
interact continuously with all these associations and writing and reading
colleagues within them.
And the books?
The first two were launched at Waterstones Tunbridge Wells in
2013 and the third in London in 2014 at the University Women’s Club when
broadcaster Sue Cook interviewed me. The first two books were joint runners up
in Writing Magazine’s Self-Published Book of the
Year
award, the third and fourth both Editor’s Choices of
the Historical Novel Society (HNS). The first three have qualified as B.R.A.G.
Medallion honorees and the third was an Editor’s Choice in The Bookseller’s inaugural
indie preview ("this
classy thriller"). And the latest AURELIA has just been shortlisted for
the 2016 Historical Novel Society Indie Award.
More importantly than any of this, readers have been kind enough
to say they enjoy diving into the world of Roma Nova and following Carina and
Aurelia’s adventures and tangled love lives. Now I have sealed the deal with Blake Friedman Literary Agency
to represent me for foreign and ancillary rights – an indie/traditional partnership that’s
first for them and pretty damned exciting for me!
This is not to boast. This is to illustrate that serious indies
put in the time and effort to develop the skills of professional authors. But
how to separate the dross from the diamonds? Several new quality organisations
are appearing, such as IndieBRAG which rejects 90% of its
applications and the HNS review system which analyses new
historical fiction and runs an annual indie fiction prize. If your book is
eligible, do go in for these! But books are about readers and many indies in
this association have enjoyed best selling success because their well-written books
are loved by their readers
What are the criteria for
independent membership?
The RNA has studied, consulted and debated internally about the
self-published/independent question. An author must have self published at
least two works of romantic fiction over 30,000 words in length. At least one
of those works must have achieved sales in excess of 1000 copies in a single 12
month period and/or generated income from sales over £500 in a single 12 month
period.
As a proud member of the RNA, a place where I have found
friends, colleagues, support and champions and where I am able to give back to
newer writers with talks, panels and posts, I was delighted to transfer from
the New Writers’ Scheme to became the first ever Independent Author Member.
Alison Morton is the author of Roma
Nova thrillers, INCEPTIO, PERFIDITAS, SUCCESSIO and AURELIA. The fifth book,
INSURRECTIO, will be launched on 12 April at the 2016 London Book Fair.
Links:
Twitter:
@alison-morton
Thank you, Alison and good luck with your latest book.
The RNA blog is brought to you by Elaine Everest & Natalie Kleinman
If you would like to write for the blog please contact us on elaineeverest@aol.com
The RNA blog is brought to you by Elaine Everest & Natalie Kleinman
If you would like to write for the blog please contact us on elaineeverest@aol.com
