Showing posts with label Natalie Kleinman. Show all posts
Showing posts with label Natalie Kleinman. Show all posts

Friday, October 20, 2017

Laurie Johnson - Associate Editor, Mills & Boon

Today, in the latest of the series ‘Chatting with Publishers’, we are delighted to welcome Laurie Johnson to the blog.

Harper Collins is a huge organisation split into many component parts. Could you give our readers an insight into which imprints you are involved with and what is your particular role?
I’m an Associate Editor for the Mills & Boon Global Acquisition team within HarperCollins. We work with colleagues in London, Toronto and New York to acquire series editorial for global publication. In London, we work closely with the UK business, including HQ and Mills & Boon marketing teams to support wider UK publishing programmes. Within this role, I acquire and work with authors writing across all UK series: Mills & Boon Modern, Historical, Medical, Cherish and our brand new series, Dare launching in early 2018.

Because readers and writers are a nosey bunch, we’d love to have a pocket history of your career to date.
At university, I studied Creative Writing, which has put me in a good position to be an editor since we had to learn how to give—and take—constructive feedback on stories. I understand how brutal it can be, but appreciate that ultimately it’s a useful process. From there I became a magazine editor, I did this for four years before transitioning into commercial fiction publishing and finding my home at Mills & Boon. I’ve worked for Mills & Boon in the office and as a freelance editor for the last six years.

While this is a question that frequently comes up it would be helpful to know what advice you would give writers wanting to submit their manuscript to you.
Think about your characters. Mills & Boon romances are all about the characters. You could set your story anywhere within any situation, but the emotional journey your hero and heroine go on is what is key. Remember to dig deep into your characters, learn who they are, what their emotional conflicts are, what his/her motivation is, what’s the end goal? Don’t shy away from the emotional, keeping everything external and on the surface; get in there and learn what makes your hero and heroine tick. Use their internal, emotional conflicts to drive the story. Think about how they’re going to come together, what emotionally is going to keep them apart and how they’re going to use what they’ve learned over the course of the story to overcome their conflict and be together.
Ensure you read the guidelines for your desired series and read as many of our titles as possible. These provide the best guide to our readers’ tastes. And don’t give up. It can be disheartening to get a rejection, but do keep trying!

What does a work need to have to make you read beyond that first sentence; that first paragraph?
I look out for a strong, exciting voice that captivates my attention from the very beginning. If there’s an exhilarating story with three-dimensional characters we can’t help but love in there too, then that’s a real bonus. But mainly we’re looking for that great author voice we just want to read again and again.

Following on from the previous question, you may often know immediately when something isn’t right for you. If it is something in the story rather than the writer’s voice, would you encourage that author to submit something different or perhaps even send you a rewrite?
Yes, definitely. If it’s something that can be fixed, I’ll often send feedback so the author can work on it more. If it’s something more fundamental in the story, but the author has a strong voice, I’ll provide advice and ask them to submit another project.

What is the position regarding unsolicited submissions?
Harlequin Mills & Boon does accept unsolicited submissions. For more information, check out the guidelines and send your story to us via: https://harlequin.submittable.com/submit

Do you ever have time to read for your own pleasure; genres other than the ones that constitute your work? What would be your genre of choice?
I’ve always been an avid reader, although admittedly these days with reading for a living it’s a lot less. However, I always ensure I’m reading something for pleasure. This year I’m using the Goodreads Reading Challenge, it’s really helpful to keep track of what I’ve read and what I thought of it.
While I read a lot of competitive titles, which helps to identify trends in the romance market etc., I do breakout of the Romance genre as much as I can. My go to is usually Crime, I love authors like Kathy Reichs, James Patterson and Preston & Child. I also love a good Fantasy; I’m currently re-reading Harry Potter and I’m the proud owner of the entire Terry Pratchett Discworld collection! And an Action-Adventure, such as Thunderhead (Preston & Child again), anything about Atlantis or other lost worlds, always provides great escapism. The only genre I avoid is Horror, I’m a real scaredy-cat!

Have you ever become so drawn to a real place, albeit in a fictional context, that you just had to visit it?
Yes! I once read Books, Baguettes & Bedbugs by Jeremy Mercer, it’s set in a little bookstore in Paris called Shakespeare and Company that sits opposite Notre-Dame Cathedral. I was so excited to see it! It was exactly as described with books covering every conceivable surface, it was bliss to get lost in there for hours. It’s a fabulous bookstore and I highly recommend a visit for anyone who loves books!

If you didn’t do what you do, what would your dream occupation be?
To be honest, this is my dream occupation so I’d hate to be doing anything else!

A lovely thing to be able to say whatever one’s job. Thank you for joining us today, Laurie.

Laurie was interviewed by Natalie Kleinman. Thank you Natalie for a wonderful interview.


Natalie Kleinman writes contemporary and historical romantic novels. Her latest Escape to the Cotswolds, is set in the beautiful English countryside and was published by HarperCollins HQ Digital in June 2017.

Thursday, September 1, 2016

RNA BLOG: MEET THE TEAM!

It feels like a new school term here on the Romantic Novelists’ Association's blog. We’ve enjoyed our ‘blogging break’ during the summer and are looking forward to providing members with new monthly series and lots of interesting interviews and articles. This means we are now blogging three times each week.

I felt it was time to formally introduce our new blogging team who between them carry out interviews and keep the blog ticking over. I’ve introduced the five members below along with their writing biogs.

We also have six lovely ladies who will be writing our monthly series.  We’ve added to our list of series and welcome our new contributors, Jean Fullerton, Sheila Riley and Elaine Roberts.

Our monthly series writers are:

Francesca Burgess: Competition Monthly
Helena Fairfax: Ask the Industry Experts: (agents)
Jean Fullerton: Focus on: Chapters
Natalie Kleinman: Chatting with Publishers
Sheila Riley: New Releases
Elaine Roberts: Festivals and Workshops

Our blogging team:

Helena Fairfax 
Helena writes contemporary romance – and occasionally romantic suspense when she’s in the mood for danger. Her first novel, The Silk Romance, was written through the RNA’s New Writers’ Scheme and was a finalist in the Global eBook Awards. Helena’s later novels have been shortlisted for the Exeter Novel Prize and the I Heart Indie Contest. She lives in Saltaire, near the Yorkshire moors, and she walks this romantic landscape every day with her rescue dog, dreaming up her heroes and her happy endings.





Louisa Heaton 
Louisa writes romance for Harlequin Mills and Boon Medical. Having dreamt of romance from an early age, she met her future husband and only three weeks later (!) agreed to his proposal of marriage. Twenty years and four children later, she is still laughing at his jokes and bribing him to do the housework and feed the kids, whilst she sits upstairs and writes her stories. When not writing, Louisa can be found reading, sewing or walking their two dogs on the coastline near their home.





Ellie Holmes 
Ellie writes commercial women's fiction and romantic cosy mysteries.  Born in Essex but made in Cornwall, Ellie takes her inspiration from the beautiful Essex countryside and the sublime Cornish coast. Juggling commitments to family and friends alongside a part time job in the law and her writing, Ellie describes her days as hectic and her nights as long but says she wouldn’t have it any other way.



Karen King 
Karen writes sassy, contemporary romance just right for reading on the beach. She also writes YA and children’s books and is a writing tutor.

 When she isn’t writing, Karen likes travelling, watching the ‘soaps’ and reading. Give her a good book and a box of chocolates and she thinks she’s in Heaven.





Sue Merritt 
Sue is a former history teacher and is a mother of teenagers. Writing as Virginia Heath, Sue produces
historical romances for Harlequin Mills & Boon. Her debut novel, That Despicable Rogue, came out in May, and will be closely followed by two more books this year. When not being Virginia, Sue likes to go on foreign adventures with her long-suffering husband, shop for things she doesn't need and drink tea.


For any member wishing to be interviewed for the RNA blog about their latest venture, or who would like to write an article, please contact me on elaineeverest@aol.com. Here is a little about me:

Elaine Everest writes sagas, set in and around WW2 for Pan Macmillan. She is a qualified teacher and runs her own writing school in Kent, which has produced many successful writers. In the umpteen years leading up to her dream of being a published novelist Elaine worked in journalism, sold over sixty short stories to women’s magazines and written non-fiction books for dog owners. She enjoys the social media side of writing and loves broadcasting, be it about her novels or imparting her knowledge as a canine journalist. Amongst her competition wins are BBC Radio Short Story Writer of the Year and being shortlisted for The Harry Bowling Prize.


Elaine is a committee member of the RNA and has run this blog for almost four years. Please say hello to her on Twitter: @elaineeverest or come along and join the RNA Facebook Group and join in with our chats about all things writerly.

Our first blog article starts tomorrow. Why not sign up so you don’t miss our posts?






Friday, July 17, 2015

Still Fabulous at Fifty Five!


All roads led to Queen Mary University, Mile End Road, in the East End of London, as romantic novelists in all shapes and sizes arrived for their annual conference. Even industrial action by tube and some mainline rail workers could not keep us away.
As usual all delegates received a goody bag brimming with books, sweets, chocolates and an RNA mug – perfect gifts for RNA members. One very special gift was a copy of ‘Fabulous at Fifty’ the book published five years ago to celebrate the fiftieth anniversary of the RNA. If you have not read
this book please take time to dip in and find out about our amazing association. How was the New Writers’ Scheme developed? What about our awards? Read about the people who started the RNA as well as the famous people that we still talk about. Did you know that the person who organised our first conference eighteen years ago was still working hard behind the scenes last weekend? We’ll leave you to read who it is.
This year we asked visitors to the conference to write a short piece on their experience. We were not disappointed. Thank you one and all!

Journey to the 2015 RNA Conference
Jayne Hall (Morton Gray)
Alison Maynard, Janice Preston, Lynn Forth and I arranged to get on the same train at different stops heading for Birmingham. Laughter started with many witty comments from Lynn, later called ‘Lynn-isms’. One of the most memorable concerned her two fans! We were in awe of Alison’s tiny case. I wanted empty space for extra books, of course. At Moor Street, we admired Alison’s attempt at selling her book in the lift. The London train was quiet, apart from our table! Lynn produced snacks,
wine glasses and serviettes. Jan poured wine. The journey to Marylebone passed in an instant.
Travelling during the tube strike, we’d booked a taxi to Mile End, but grid-locked traffic stopped it reaching us. Thankfully, the weather was sunny. When we got a taxi, forty minutes later, the driver couldn't promise an arrival time or price. Traffic was nose-to-tail, with police at bus stops to stop fighting. We could probably have walked faster at times, but it was a long way.
We all started to get weary in the hot taxi. Lynn still managed some witty repartee about buttocks, but I think we were grateful to arrive at the university an hour and a half later.

The Spectacular Setting of our RNA 2015 Conference
Karen Aldous
Canal side
What a delight to discover so many fascinating features at the Queen Mary University of London, the conference venue just off the main Mile End Road in East London. Not only is it situated on a now stunning stretch of the Regent’s Canal with a community of moored house boats and a bustling canal path giving access to local parks, but in the centre of the campus is the site of a grade II listed, Jewish cemetery, the second-oldest surviving in England.
As well as a modern student village, the site houses the original ‘People’s Palace’, the Queens Building, built in the mid-Victorian period with the education of local people in mind. And, it really can only be described as a classically-built Victorian palace and, within it, was the beautiful Octagon Library where busts of famous poets and writers such as Byron, Wordsworth and Samuel Johnson watched over us while we wined and dined at our Gala Dinner.
I was truly amazed to discover all this along with another interesting snippet. In the School of Medicine and Dentistry’s Pathology Museum here, the skeleton of the Elephant Man, Joseph Merrick is housed. I can’t wait to explore this place some more.
Queen Mary College – then and now
Helena Fairfax
Tube closures, terrorist attacks and traffic jams – and I don’t mean last weekend. This was the London of the 1980s, when my husband – then boyfriend – was a student at QMC. I remember once arriving at King’s Cross to find the whole tube network closed down because of an IRA threat. And the station itself – my God! What an intimidating and run down place it was. The old café served weak tea and limp ham sandwiches, and all the knives were plastic to stop people stabbing each other. And who could believe nowadays that people smoked underground, on wooden escalators?

 The station was a disaster waiting to happen, and tragically, in 1987, fire engulfed it. The modern concourse bears no relation to the grim place I knew.
As for Mile End, it’s still as congested, but they’re building cycle paths and the canal is a lot cleaner than it used to be. And the lecture rooms! Hazel Gaynor’s fabulous Powerpoint presentation shows just how far we’ve come since the days when white boards and marker pens were the height of progress.
Roll on the next thirty years!
(Image: Frisking my boyfriend outside Kings Cross!)

The Conference Opens
John Jackson

Jan Jones & Eileen Ramsay
Before this weekend’s Conference started I asked Eileen Ramsay, our Chair, if she would give me a copy of her opening speech, as I was going to write it up for the RNA blog.
“Oh, you won’t need that, it’s going to be very short!” she replied.
And so it proved to be.
Eileen welcomed us all with great warmth in a crowded Milner Lecture Theatre. While her opening speech may have had all the advantages of brevity, it was certainly no less warm and, as a newcomer at his first conference, I can only emphasise its warmth and welcome. Many thanks for that.

John Jackson
After Eileen had finished, she handed matters over to Jan Jones who gave us a summary of immediately important information, and we cracked on with an excellent series of talks, lectures and workshops. Jan proved herself a fountain of knowledge for all sorts of queries, especially on Friday as people came in to register and attend their first sessions – not to mention a full programme of meeting old friends.

My first Conference
Heidi Swain
2015 is turning out to be a year of firsts for me – first book deal, first cover reveal, first publication day and now I can add first RNA conference to the list! Initially disappointed to only be able to attend on Saturday I’m now rather relieved. Romance authors party hard I’ve discovered and I’m not sure I could have coped with the pace first time around.
On arrival I was escorted to register by Eileen Ramsay herself and after picking up my loaded goody bag and name tag I set about making a note of where the talks and workshops I had signed up for, were happening.
I don’t need to tell you how amazing the organisation of the conference is and how invaluable the advice and expertise on offer. What I would like to say however is thank you. Thank you to everyone for making me feel so welcome and relaxed and hello to the dozens of authors I was finally able to meet in real life. It never ceases to amaze me that we can recognise one another from a tiny thumbnail image!
I simply can’t wait to do it all again next year.

Ten Minutes to Make an Impression!
Natalie Kleinman
The annual RNA Conference offers a wealth of opportunities to its members. Just one of these is the chance to have a ten minute interview, known as a one2one, with an agent, editor or publisher, sometimes all three. Prior to the weekend, delegates are invited to submit a synopsis and first chapter in anticipation of receiving what might prove to be invaluable feedback on their work.
I asked Elaine Roberts, veteran of three conferences, what had been her experience this time. “Firstly, for me, attending the annual RNA Conference is the “don’t miss” event of the year and thanks to everyone involved for making it possible. The one2ones each year give me confidence to continue writing. Spending ten minutes with an Agent/Publisher/Editor is priceless. My feedback this year is no different. My manuscript was well received and now, for the first time, I’m daring to hope I will actually graduate the New Writers Scheme.”
Such a choice!
For Sarah Stephenson is was her first visit to a conference. She had this to say.
As a first-timer to the RNA conference, I had no idea what to expect. There were excellent one2ones with agents and publishers. I sat in the corridor, biting my nails; a small child waiting to see the headmistress. What wasted anxiety. The response was extremely positive. I was encouraged to continue writing and get the book finished as soon as possible. I left the conference exhausted but very buoyed up.”
Both writers told me that whatever the outcome of their interviews they valued both the opportunity and experience and had taken on board a huge amount from the feedback they had received.

Speed Dating for Writers!
Lisa Eveleigh
I’ve heard one-to-ones referred to as ‘speed-dating for writers’ which would be terrifying if either party was really going into a session blind…
Fortunately the RNA members I had appointments with last weekend were all impressively well prepared and had clearly looked at my website beforehand , so I didn’t have to waste any of those precious ten minutes in describing my agency and tastes in fiction.
It helped that most writers I saw are members of the New Writing Scheme and accustomed to editorial feedback. I think it’s essential to give truly constructive criticism and I always read the chapters I’m sent as close to Conference as possible, so that the work is fresh in my mind. But I’m acutely aware that these sessions are short and rather than undertaking a forensic analysis of every word, I try to leave at least three or four minutes for the author to tell me about their hopes and aims, and any previous publishing history. 
Apart from a bizarre - yet enchanting moment - when I poked my head out of the door of my seminar room looking for my next delegate, to be immediately offered a glass of Prosecco by The Romaniacs, busily  filming outside, these sessions were serious.  (And for the record, I said ‘thanks, but no thanks’ and gratefully accepted some of their fizzy water instead; it was HOT last weekend!) 
Finally, it’s important to remember that agents enjoy meeting writers – you could be our next bestselling client! -  SO, if you’re thinking of making an appointment next year, leave your nerves at home; we don’t bite!    
*Lisa also found time to be part of our Agent Panel on Industry Day. From left to right in above image: Caroline Sheldon, Hannah Ferguson, Carole Blake, Tim Bates and Lisa Eveleigh.

Building Character Workshop
Sally Quilford
It’s always exciting, and a little bit nerve racking, to be asked to speak at the RNA conference. And having to wait till Sunday morning definitely ups the ante. I was even more nervous on account of following the incredibly erudite (and totally lovely and down to earth) Emma Darwin, and in the same room! I sat enthralled through Emma’s excellent talk on Writer’s Voices, and wondered ‘How am I going to follow that?’
But I think it’s important – and I’m sure Emma will agree – that the RNA conference covers a wide range of topics and for all skill levels. My talk on character building might not have been as cerebral, but I think my audience enjoyed it, especially when I used pictures of handsome men to illustrate my points on appearance (any excuse really…). Everyone in my workshop was very attentive, and said all the right things afterwards. I was able to enjoy the rest of the day safe in the knowledge that I had not let the organisers down.
I also think what both Emma’s and my talk proved was that even those of us giving the talks at the conference can learn something from each other. Her talk had taught me so much, and there were established authors in my talk who I hope also went away with new ideas.
That’s the great thing about the RNA. No one thinks they’re above learning something new and it’s this enthusiasm for knowledge on the part of the attendees that makes every workshop so special.

121s – The Aftermath!
Elaine Everest     
For me the experience of conference 121s started way back on the 28th May when I received the message from Jan Jones to ‘brace, brace, brace’ as the conference packs were in the post.
Taking part on the Reviewer Panel
Early next morning my email box began to fill with requests for appointments and it didn’t stop until days before the conference. Did I write much during June? No! Was I busy? Yes! Did I enjoy it? Yes, Yes, Yes! The most enjoyable part of allocating over two hundred appointments is to be able to get to know new members, say hi to members I’ve met before and to also be able to chat to industry professionals who have given up their valuable time to encourage and advise our members. I was able to calm the nervous - point out I’d been a bag of nerves myself not so long ago and also to advise anyone who wasn’t sure about their submission. The saddest part of the job was when I had to say I’d run out of appointments. I could have filled many two times over.
The joy came later when I bumped into many delegates who had news to share. Who doesn’t like good news and there was plenty of it. Authors being taken on by agents, book commissions, helpful hints and advice, the good news kept on coming. In fact one week on I’m still receiving emails full of good news. Please keep it coming.
As conferences go this one will be hard to follow but I’m sure we will give it a good try!
Let’s Learn!
Alison May

This is the second time that I’ve run a workshop at the RNA Conference. This year’s topic was Developing Back Burner Projects, which I’d subtitled ‘Writing the Book You’ve Always Wanted to Write’ and actually running the session was one of my favourite bits of the whole weekend. The impression at writing conferences is often that the people sitting in the room are learning and the

person at the front is working and teaching. Let me tell you a secret – 99% of the time the person at the front is learning just as much. Good workshops depend on the input from the attendees, and, in my experience, there’s always at least one question that pushes the session into territory you’d never expected and could never have planned for. For me that’s a large part of the fun; being in a group of fabulous creative people who are ready to learn and develop and ask questions is incredibly inspiring.
The main message of the session was this: if there’s something you’ve always wanted to write, get on and write it. That’s it in a nutshell. The real thing was essentially that but longer, with a bit about badgers fighting robots and some pictures of ironing.
Weaving the Tapestry of Time!
Charlotte Betts
I’m no longer a RNA conference virgin but this was the first time I was invited to take a workshop. Immensely flattered and not a little apprehensive, I agreed immediately. Deep in the throes of finishing my fifth novel, I didn’t have much time to think about the subject. Playing safe, I chose to talk, rather than write, about ‘what I know.’ Readers tell me that what they like best about my novels are the historical details and I decided to focus on writing about settings that transport you to another time and creating believable characters true to their era.

I’d imagined there might be 20 delegates but when I heard over 50 were expected I was amazed. I’d intended to provide six page hand-outs but realised that this would be an awful lot of printing! Undaunted, I set about learning to use Powerpoint.  Amazingly, the presentation and workshop went smoothly and it gave me a buzz to discuss my favourite subject with others and to learn from them, too. I also learned not to be so ambitious another time and stick to only one subject as an hour passes very quickly.

However many books you’ve had published, there is always something new to learn from other writers and I’m a great believer in sharing that knowledge.

Kitchen Capers!
Elaine Roberts
I have been attending the RNA Conference for three years and the after Gala Dinner kitchen parties are legendary. You’ll be pleased to know this year was no different, although I believe more were held outside in the cool night air and I don’t recall hearing that anybody ended up in the canal.
The laughter carried across the Mile End campus as friends met up. Many seeking out friends they made on social media. However, trying to find someone was like looking for a needle in a haystack, especially as some only had an avatar picture to go by.
Gala Dinner courtesy of Karen Aldous
Everyone in my block arrived armed with wine, wine and more wine, which we started on Thursday evening. Of course, where there’s wine there’s also snacks.
Traditionally, the kitchen parties are usually after the Gala Dinner but we started on the wine before the glitzy occasion. Consequently, we were definitely flagging by eleven thirty and some were clearly suffering on Sunday morning. However, we made it for breakfast and our first talk at nine. When we left at five, we were definitely flagging!
It needs to be said, I still haven’t got over the fabulous RNA Conference weekend. Can I have a nap now?

Does my Waist Look Big in This?
Elaine Everest


Mireille Weller gave a fascinating talk on how to dress as a Victorian woman, including: the layers of underwear; the realities of wearing a corset; going from daywear to eveningwear in five minutes; and why you need a man to help you sit down.

Those taking part all agreed  it was not the weather for a corset and so many layers of clothing.
We marvelled at the many petticoats and the beautiful gowns all hand made by Mireille and held our breath as she tightened her corset. Elizabeth Hawksley was invited to measure  Mireille's waist to show how many inches were lost once corseted.
We all felt as though we knew a little more about our Victorian characters at the end of this talk.

Did you blog about your experiences at conference? Why not post a link in the comments section below and share your story with our members?

The RNA Blog is brought to you by,

 Elaine Everest & Natalie Kleinman

If you would like to write for the blog please contact us on elaineeverest@aol.com