Showing posts with label Nicola Cornick. Show all posts
Showing posts with label Nicola Cornick. Show all posts

Wednesday, January 24, 2018

The RNA's 2018 Goldsboro Books Romantic Novel of the Year Awards Ceremony - Judging Panel and Celebrity Guest Presenter Announced










The Romantic Novelists' Association has announced the judges who will decide the Goldsboro Books Romantic Novel of the Year, and the celebrity guest presenter for the 2018 Awards ceremony.

The judging panel comprises: Matt Bates, the Fiction Buyer for WH Smith Travel, editor Alex Hammond, writer Elizabeth Buchan and Liz Robinson, book reviewer for Lovereading.co.uk. 

The Reverend Richard Coles will present the winner of the award with a trophy and a cheque for £5,000 on Monday 5th March at The Gladstone Library in London. Richard Coles first found fame in the 80s with chart-topping bands Bronski Beat and The Communards, before becoming a Church of England priest. He is a popular media figure, and recently enjoyed a stint on Strictly Come Dancing.

RNA Chair Nicola Cornick said:  ‘We are thrilled to have such an enthusiastic and knowledgeable panel of judges with such a commitment to the romantic fiction genre, and a guest presenter who will ensure the evening is enormous fun.”

There are seven Romantic Novel Awards: Contemporary, Epic, Historical, Paranormal or Speculative Fiction, Romantic Comedy, Young Adult and the RoNA Rose for a shorter romantic novel. The winners of these categories are chosen by a panel of readers.

The four independent judges read each of the category winners to decide the overall winner of the Goldsboro Books Romantic Novel of the Year award.

Matt Bates is the Fiction Buyer for WH Smith Travel. He has been rated in the Evening Standard as one of the Top 1000 most influential Londoners, and has contributed to book-related articles in The Daily Telegraph, Daily Express, and The Bookseller. In 2013 he judged the Historical Novelists' Society International Award, in 2015 he was named Bookseller of the Year by the RNA and in 2016 was one of the judges for both The Costa Book Prize (Novel) and The Booksellers' Association Debut Fiction Category Prize. In 2017 he was named as one of The Bookseller's 100 list.

Elizabeth Buchan worked in publishing before she became a full time writer. Her novel Consider the Lily won the Romantic Novel of the Year Award in 1994, and a subsequent novel, Revenge of the Middle-Aged Woman, became an international bestseller and was made into a CBS Primetime Drama. She is a former Chair of the Romantic Novelists’ Association, has chaired the Betty Trask and Desmond Elliot literary prizes and was a judge for the Whitbread First Novel Award and the 2014 Costa Novel Award. She is a patron of the Guildford Book Festival and co-founder of the Clapham Book Festival.

Alex Hammond holds a BA (Hons) in American Literature with Creative Writing, an MA in Creative Writing, and is currently studying for a PhD in Creative Writing. He worked for the literary agency Rogers, Coleridge & White, with authors such as Zadie Smith, Philip Hensher, Nick Hornby, Sandi Toksvig and Joe Dunthorne. He joined Cornerstones Literary Consultancy in 2014, and is now an editor, mentor, and scout. He works directly with authors at the Romantic Novelists’ Association Summer Conferences, and the A Chapter Away writers’ retreats.

Liz Robinson has been on the editorial team writing expert reviews for Lovereading.co.uk since the beginning of 2014. Reading is her passion, and she enjoys all genres, from crime, mysteries and thrillers to romance, family drama and relationship tales.

A total of 300 books were entered for this year’s Romantic Novel of the Year Awards. The shortlisted books will be announced on 8th February, 2018 and the RoNA Awards will be
presented in London on 5th March, 2018.

For more information about the awards, please go to our website.





Tuesday, September 5, 2017

Meet the news RNA committee!

Meet your new RNA Committee!

Have you ever wondered what goes on behind the scenes of The Romantic Novelists' Association and who it is that keeps the cogs ticking over of our fabulous organisation? We take the opportunty to meet committee members and our valued helpers.

Nicola Cornick – Chairman
Historical novelist Nicola is also a historian, guide and speaker for the National Trust, and a consultant specialising in history for TV and radio. She and her husband train Guide Dog puppies too, much to the annoyance of their wonderfully patient, elderly Labrador.

”I’ve been a member of the RNA for almost 20 years and am very proud to be taking on the role of Chair. I’m aiming to increase the RNA’s visibility within the publishing industry and the wider world!”




Alison May – Vice Chairman
Alison lives in Worcester with her husband. No kids, no pets, one still un-dead cactus! She writes romantic comedy and commercial women’s fiction, and has been shortlisted in the RoNAs and Love Stories Awards. Aside from writing, Alison is a teacher and freelance trainer.

“As Vice-Chair of the RNA I want to meet as many members as possible and find out what they want from the association, and also develop links with publishers, booksellers and other writing organisations.”




Sally Calder – Hon Treasurer
Relatively new to the RNA, Sally writes gritty historical romances when she is not being an accountant in real life.

“As treasurer I’ll be overseeing how/where your money is spent. We aim to break even each year and I’d like that to continue! However, we have a healthy bank balance, giving the organisation the opportunity to consider one-off events or activities for our members and to continue to promote romantic fiction.”




Anna Scamans – Hon Deputy Treasurer
Anna Scamans writes romantic suspense as Anna Louise Lucia and her first book was published in 2008 by Medallion Press. She joined the RNA in 2002 as an NWS member and joined the Committee in 2011. She has been the Hon. Deputy Treasurer since 2012 and in between balancing writing and life with her two very young sons, she keeps an eye on the pennies at all times!


Julie Vince – Hon Secretary

Julie Vince writes as Julia Wild and joined the RNA NWS in 1993. She was first published in 1997 by Scarlet, has numerous books published and most recently has been concentrating on bringing out her backlist as eBooks. In the past Julie has worked as a legal secretary, library assistant and night club waitress, but plans to remain a full-time writer from now on. She lives with her husband in Bedfordshire and has three adult children living close by.
“I love working with this enthusiastic committee in my role as the RNA’s Hon Secretary. I deal with daily admin, meeting minutes and update documents amongst other duties. Whilst in this role I would like to complete updating the Hon-Sec Handbook!” says Julie.


Jules Wake – RNA Press Officer
Jules writes contemporary romantic fiction and to date has published seven novels. A writer and a School Business Manager, she is also a former PR Consultant and writes dazzling press releases whilst communicating effectively with the media.
“Recently we set up twelve ‘down the line’ BBC radio interviews and I spent the morning in a broom cupboard-sized studio with president Katie Fforde, who gallantly flew the flag telling listeners from Jersey to Stoke, Southampton to Carlisle all about the RNA.
“I co-ordinate the publicity for the RNA Industry Award, the RoNAs and the Joan Hessayon, working with super-organised external PR, Katrina Power. Like other committee members I’m also busy writing and juggling the day job, so life is very hectic. However, the crazy workload is worth it, I’m passionate about the RNA and particularly the NWS. Since I joined I’ve made some amazing friends, learned so much about the industry and had incredible support. It’s this generosity of spirit that makes me want to be part of the committee and ensure I play my part to do the very best for the organisation.

Gill Stewart – Hon Membership Secretary
Gill Stewart, who writes as Gilly Stewart, Gill-Marie Stewart and Gillian Villiers, has been a member of the RNA since 2003. She has had two novels published by Accent Press and a number of novellas published by D C Thomson and Linford Romance Library. She lives on the west coast of Scotland with her husband and assorted cats, dogs and hens. She was Hon Treasurer of the RNA from 2013 to 2017 and has taken up this new role to help continue to support the committee and the overall organisation, which she feels gives so much to its members.


Elaine Everest – RNA Social Media Co-ordinator
Award-winning non-fiction and fiction writer, novelist, journalist and writing tutor and NWS graduate, Elaine runs Social Media for the RNA, including Twitter and Facebook accounts and the popular RNA blog. She also works with Jan Jones organising the highly prized and sought-after 1-2-1 conference appointments for delegates with industry professionals.
“During the next year I hope to increase awareness of the RNA on social media and encourage members, young and old, to make use of our busy and extremely supportive Facebook group. I also enjoy helping members with industry appointments leading up to our annual conference and that includes holding hands with the nervous first-timers and celebrating when they have good news – which happens often!” says Elaine.


Alison Knight – RoNA Scorekeeper
Alison is a professional fundraiser. She went to university aged 45 gaining a first class degree in Creative Writing at Bath Spa University and an MA at Oxford Brookes University while working full-time for Christian Aid. She writes contemporary women’s fiction as Alison Rose, and young adult time-slip adventures as Alison Knight. She is scorekeeper for the RoNA Awards.
“My role on the committee is Awards Moderator for the RoNAs – checking the scores given by the readers, making sure they’re all received and recorded properly before we check everything and announce the short lists,” explains Alison.


Immi Howson – New Writers’ Scheme Organiser
The New Writers’ Scheme (NWS) is one of the most valuable services the RNA provides, giving all NWS members the opportunity for a full manuscript critique each year. Here’s organiser Immi’s take on her role.
“My role is to administer the scheme, assigning manuscripts to the most appropriate readers, forwarding reports to members, resolving any problems and giving advice to those members whose manuscripts have been judged ‘submission ready’.
”My overall aim is for the NWS to keep pace with the changing world of the publishing industry, and that every report is as useful and constructive as possible. Future plans include introducing more support for readers to access, such as the option for further training and a ‘buddy scheme’ for ongoing support.
“I also plan to include a self-editing guide in the information given to NWS members, and full instructions on how to ‘anonymize’ a Word document, for those readers who would like to include comments in the manuscript itself. This is something that was commonly done when we ran a paper-based scheme and is less easy, but still achievable, with the new online system.
“I’m open to all feedback, good and bad, so please contact me if you have any comments on the scheme!”

Anne Graham – Party Organiser
Anne Graham writes dialogue-rich historical romance as Anne Stenhouse and is published by MuseItUp, Linford Romance Library and Endeavour Press. She has worked as a civil servant and rehabilitation care worker and hopes that these roles should help create a mix of both organisational and observational skills.
Anne has the superb title of Party Organiser and explains a bit of what that involves.
“Although my email address is events@romanticnovelistsassociation.org being the RNA Party Organiser is what I actually do. This role encompasses the Awards, and ticketing some meetings, plus guest lists, name badges and general liaison with venues about facilities, refreshments and all the other little details that go into making our parties so popular.”

Adrienne Vaughan – Hon News Editor, Romance Matters
Editor of RM and RNA Industry Awards co-ordinator, Adrienne is a founder member of the indie publishing group New Romantics Press and since joining the RNA in 2011 has published three novels and a collection of short stories and poems. Her agent Lisa Eveleigh is currently marketing her latest book.
“I feel we are poised to take the RNA to the next level and have made great progress improving our industry-facing profile and communications in general. I love working with this group of talented, enthusiastic individuals who come together, not only as a cohesive team, but a force to be reckoned with!”




Jean Fullerton – Chapter Liaison
Jean joined in 2002, graduating from the NWS four years later. A member of the London & Southeast chapter, she says their support and encouragement was invaluable during that long and sometimes heart-breaking road to publication.
“I believe the local RNA chapters are the backbone of the organisation and took on the role of Chapter Liaison in 2009. Since then I’ve travelled the country meeting up with local chapters and a great number of members.
“Because I’ve gained so much from the RNA I always promised myself that I would stand for the committee when I waved goodbye to the day-job and last year I did. I hope to encourage more local chapter-led events such as study days, writing retreats, regional socials.” Since Jean took over the role new chapters have launched in new areas and even two new countries – Scotland and Ireland – she’s happy to report.

Katherine (Kathy) Garbera – Libraries Liaison
Kathy is a USA Today Bestselling author of more than 90 books, her publishers include Harlequin (Mills&Boon), HarperImpulse, and Tule Publishing. She’s a veteran author with a career spanning more than 20 years.
Being Libraries Liaison is a natural fit for Kathy, who is passionate about reading. She hopes to get localised lists of members matched to libraries in their area creating a synergy between authors, libraries and readers. She also is working – with Elaine Everest and Nicola Cornick – on an initiative to recognise librarians who are romantic fiction friendly and help support our genre, sub-genres and our members, possibly creating a Librarian/Library of the Year Award.



Celia Anderson – RoNA Organiser
Celia is a recently retired and much missed schoolteacher and the award-winning author of four novels plus numerous short stories. She is a founder member of a wonderfully supportive group of writers, The Romaniacs.
“During my time on the committee, I’ll be working towards further developing the existing – and excellent – RoNA awards scheme and promoting the RNA through its flagship awards event each March. Which will all help to raise our profile as we head towards our magnificent sixty year Diamond Anniversary celebrations in 2020,” says Celia.



Non-Committee roles:

Jan Jones, Conference Organiser
Kate Johnson, ROMNA Moderator
Janet Gover, Webmistress/Presentations
Janice Preston, NWS Admin
Evelyn Ryle, Sub-Committee (Membership & Constitution advice)
Melanie Hilton, Sub-Committee (Membership & Constitution advice)
Julie Stock, Deputy Editor Romance Matters

Tuesday, June 21, 2016

Ellie Holmes: The Flower Seller

Today we are joined Ellie Holmes who talks about her debut novel 'The Flower Seller. Ellie's inspirational tale reminds us that persistence definitely pays off because, after twelve years, her novel is finally published this June.

I first joined the RNA in 2004 and eagerly submitted my manuscript The Flower Seller to the New Writers’ Scheme.  The report I received was tremendously helpful in highlighting where the weaknesses were and how they might be tackled.  I knuckled down and in 2005 submitted the reworked manuscript to the NWS, having taken into account a lot of what my reader in 2004 had suggested.  This time The Flower Seller made it through to second read stage so all the hard work was worth it.



2005 was also the year of my first RNA Conference.  At that conference I attended an Agents’ Panel discussion when the wonderful Broo Doherty (now of DHH Literary Agency) spoke of her wish to find new authors.



I didn’t think she could possibly be talking about me.  After all The Flower Seller still needed more tweaking and I felt sure Broo would only want people who were the finished article.  Then the fabulous Nicola Cornick of this parish (who at the time ran the NWS) spoke to me, asking if I was going to contact Broo. I explained my reasons for not doing so. Nicola, in the nicest possible way, gave me a metaphorical slap round the head and told me to contact her anyway. A few weeks’ later, the ink was drying on my contract with a London literary agent.

Over the years that I have worked with her, Broo has made me a better writer but despite her best endeavours we never landed that elusive contract for The Flower Seller or my later books.

As the marketplace changed, I decided I would go down the self-published route and it made sense to make The Flower Seller, which is so dear to my heart, my first release.  I took it out of the forgotten folder it had been tucked into on the computer and set about giving it a polish and an update (smartphones were only a twinkle in Steve Jobs’ eye when the book was first written). Taking my courage in both hands I set out on the path to becoming an indie author benefitting hugely from all those who have gone before and been generous enough to share their experiences.







The Flower Seller was finally published on 2nd June. A nice little postscript to this tale is that as I was putting The Flower Seller together for publication I made my first sale to a traditional publisher. I am used to those kind of kinks in the road now.

There are several things I’d like you to take from my tale:-

The RNA is a wonderful organisation and the NWS is a wonderful scheme.

Rewrites that are focused and with a purpose in mind are all part of the job.

We all need cheerleaders – mine were Nicola and Broo.
The road to publication may have as many twists and turns as your plot so be prepared.
    NEVER GIVE UP!


About Ellie:
Ellie Holmes writes commercial women's fiction and romantic cosy mysteries.  Born in Essex but made in Cornwall, Ellie takes her inspiration from the beautiful Essex countryside and the sublime Cornish coast. Juggling commitments to family and friends alongside a part time job in the law and her writing, Ellie describes her days as hectic and her nights as long but says she wouldn’t have it any other way.






Links:

Website
Facebook
Twitter
Amazon

Thank-you for taking the time to tell us here at the RNA Blog about your experiences Ellie. We hope this story is the first of many we will see from you.

If you wish to write something for the blog or be interviewed please contact elaineeverest@aol.com


Friday, November 6, 2015

Nicola Cornick: The art of suspense

Thank you so much to Nicola Cornick for writing today’s article and giving us much food for thought on how to add suspense into our writing.

I’ve always enjoyed adding a bit of intrigue to my historical romances but when it came to writing a big romantic historical mystery novel I knew I was going to have to weave a whole lot more suspense into the story. For a pantser writer like me, plotting 3 different timelines was a bit of a nightmare in
itself but I knew that the art of writing a suspenseful story needed more than tight plotting. It needed twists and turns, that element of surprise that makes readers think: “I didn’t see that coming” and it needed PTQ, page-turning quality to keep them reading until 4am.

One of the best ways to learn is to study the masters of the particular skill you want to develop and so I turned to my heroes, to Mary Stewart, Daphne Du Maurier and Susanna Kearsley. “I met him in the street called Strait” Mary Stewart writes at the beginning of The Gabriel Hounds, and I’m hooked already by that hint of exoticism and the need to know who “he” is.  Daphne Du Maurier is another author who uses atmosphere for great suspenseful effect, building up the reader’s journey back into time in Frenchman’s Creek until you are there with her characters centuries before.  For me, a sense of atmosphere and place can contribute a great deal to a story as you wait on tenterhooks for something you know is about to happen…

In a podcast on suspense, thriller writer Harlan Coben says that he always knows the ending of his books and the final twist and surprise. Once he knows where he is heading he can lead the reader astray on the way. He uses misdirection and plays with readers’ perceptions so that they think they know how a story is unfolding but then he springs a surprise.

Harlan Coben distinguishes between suspense, which is keeping the reader gripped and turning the pages, and surprise, which happens when the books takes you somewhere you didn’t expect. He suggests that a corpse is useful for creating suspense – readers want to know who committed the crime – but that he finds a missing person more interesting.  Anything that allows for an element of hope raises the stakes in a suspense novel.

Research into suspenseful films, TV programmes and books has suggested that an average of three plot twists is the optimum to use. Too few twists and readers are bored; too many and they are overwhelmed. You need a balance between these two states and it is better that the twists grow organically from the story rather than appearing from left field. Sometimes, though, a great twist can be too much. This happened to me when I got to the end of House of Shadows. I had a wonderful idea for an epilogue, something that added a huge final twist and put an entirely different slant on the end of the story. Alas, this was a twist too far. My editor suggested I take it out – unless I was planning a sequel!

Another way in which to create suspense is to build up the emotional investment the characters have in their home, family, friends, all the things that are important to them. As they wrestle with problems and difficulties you can cut to the people who are really significant to them as a way of emphasising the conflicts they are going through.


As I mentioned, that final twist is very important but at the same time a romantic suspense novel has to do exactly what all other romantic novels do and be a powerful and human story. So when you hit your readers with that final surprise, it not only has to make them gasp with shock but it also has to move them emotionally.



Links:






Thank you, Nicola and good luck with House of Shadows.

If you would like to write about the craft of writing please contact the blog on elaineeverest@aol.com

Friday, January 2, 2015

Nicola Cornick: Changing Times, Changing Genres


Welcome to Nicola Cornick who writes our first blog post for 2015.

Thank you very much for inviting me to the RNA Blog today. It’s a great pleasure to be here!

It was with something of a shock that I realised in 2013 that I had been writing Regency historicals for fifteen years. From the publication of my first traditional Regency, True Colours, by Harlequin Mills and Boon in 1998, I have had a wonderful time living in an alternative historical world. Along the way I have changed from a UK to a US publisher and now back again. The stories have become longer, more sensual and have ranged in setting from the ballrooms of London to the Highlands of Scotland to the far north of the Arctic.

It’s been an amazing time but for more than ten of those fifteen “Regency” years there was something else that I also wanted to write, a book with paranormal elements where the past and the present are entwined, and secrets and mysteries from centuries past are brought to light. I’d been promising myself for years that one day I would write this story but it always got squeezed out by contracts and deadlines until last year I thought that if I didn’t stop and write it now, maybe I never would.

I work as a guide and historian at the National Trust house Ashdown Park, a place with a rich and vivid history that has given me so much inspiration. It was a given that if I wrote a timeslip book then Ashdown and its history would take centre stage. So I started to plan a book set at Ashdown with three intertwined stories. One takes place in the 17th century and involves Ashdown’s owner, the Earl of Craven and Elizabeth, the Winter Queen, to whom it is rumoured he was secretly married. A second strand of the story is based on the notorious love affair of the 19th century Earl of Craven and the courtesan Harriette Wilson, and there is a contemporary thread revealing the connections that link the characters through the centuries.

 When I first started to write the book (as opposed to it being a collection of ideas in my head) I also started to have dreams in which I took on a series of ever more bizarre challenges (organising a competition for racing pigeons was one!) I felt scared. I had doubts. I think that maybe I was afraid deep down that I didn’t know how to write something so different. It was exciting to have the time and space for this new project but it was also disorientating because suddenly, after years of promising myself that this was the book of my heart, I actually had to prove it. I had to write it.

With three intertwined stories the book required a lot of planning, a detailed structure and a complex plot, three things that have never been my forte. My books usually arise out of the characters or from particular historical events. I get an idea and write off into the blue. This time, though, I was mixing fact and fiction and also mixing three time periods. When I tried to plan in detail my brain froze up so in the end I did what I always do and just plunged straight in and waited to see what happened. The whole book was a very, very steep learning curve as I struggled to create three stories that were individually compelling yet also wove together to create a much bigger canvas than anything I had ever written before. It was also a huge amount of fun!

Ashdown Park


Now the book is written and I am revising it to layer in some more character depth and texture, smooth out the wrinkles in the plot and tighten the pace. At the moment the most difficult thing to decide upon is the title – something suitably historical and a tad mysterious!  Please look out for the book coming in September from MIRA Books – by which time it will definitely have a name!

Thank you, Nicola for writing such an informative piece.

The RNA blog is brought to you by

Elaine Everest & Natalie Kleinman

If you would like to contribute an article or write about your latest publication please contact us on elaineverest@aol.com