Nobody decides to write a
historical novel without having a love of history, and it was that love which
prompted me to write The Highwayman’s
Daughter, after having previously published two contemporary novels.
Despite my enthusiasm, the shift from contemporary suspense to historical
adventure was not without its fair share of challenges, mainly due to the
amount of research involved. The things we take for granted in our contemporary
society just… weren’t there.
There was no central
heating, no supermarkets, no NHS, no flushing loos. You could’t pop out for a
Starbucks, watch the game on TV, or travel from London to Bath in under two
hours, and neither can your characters. Yet they still need warmth, food,
sanitation, health care, entertainment etc. because people are essentially the
same whatever world they inhabit.
First, the setting. Hounslow
Heath, a dark and desolate place with the occasional gibbet displaying the
decaying remains of some unfortunate person hanged at Tyburn, and notorious for
the number of hold-ups taking place there. Yet this pot-holed track was the
only road from London to fashionable Bath. Today very little is left of the
Heath, with a large part of it buried underneath one of the Heathrow runways
(hence the name).
The action takes place in
1768 in the town of Hounslow and surrounding area. Today Hounslow is a part of
London, but in 1768 it was a village several miles out and the first coaching
stop on the journey to Bath. I found myself poring over old maps, researching
into road (and weather) conditions, finding out more about coaching inns and
coach travel in general, as well as the town itself which at the height of the
coaching era sometimes had more horses in it than people!
Then there were the
buildings mentioned in the novel, one of which was Newgate Prison in London. The
prison appears in a number of novels by Charles Dickens, but that was no real
help because this was a rebuild of an older prison that burned down in 1780
during the Gordon Riots. I turned to Peter Ackroyd’s Biography of London for information on the earlier one.
For the clothes people wore,
and how they lived, a trip to the Victoria & Albert Museum proved
incredibly useful, and ditto several visits to John Soane’s house on Lincoln’s
Inn Fields, and the Museum of London. The food people ate was another real
challenge, but I managed to track down some Georgian recipes and even try out one
or two!
As for sanitation and the
health of the population, one doesn’t have to travel very far back in time to
discover how, more often than not, people died from complaints and illnesses
which are curable today, at least in the western world. My son was astounded
when I explained that the Spanish flu in 1918 claimed more lives than the whole
of WW1 put together. (“You can die from flu?!”)
These were just some of the
challenges involved.
Finally, regarding my
career as an author, there is always a risk when switching from one genre to
another that you may lose some of your readers, but I hope there’s enough
mystery and suspense in The Highwayman’s
Daughter to keep the fans interested. Sometimes you just have to go where
the story takes you, and perhaps it will reassure those readers that I intend
to continue to write both types of books!
The Highwayman's Daughter:
Is it a crime to steal a
heart?
Hounslow, 1768. Jack Blythe, heir to the Earl of Lampton, is a man with great
expectations. So when his carriage is held up by a masked woman, brandishing a
pistol and dressed as a gentleman of the road, he wholly expects to have his
purse stolen. And when he senses something strangely familiar about the lovely
little bandit, Jack also expects to win his cousin’s wager by tracking her down
first.
But as Jack and the highwaywoman enter into a swashbuckling game of cat and
mouse, uncovering an intricate web of fiercely guarded family secrets, the last
thing Jack expects to have stolen is his heart.
Henriette grew up in
Denmark but moved to England after graduating from university. She has worked
as a translator for 22 years and spent 3 of those translating novels for Mills
& Boon.
Twitter: @henrigyland
Thank you, Henriette,
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