Judy Astley had been writing since she was a child but, intimidated by the sheer class of the writers studied during an English degree, gave it up until she was in her thirties when her children were in school and she had to face the awful prospect of getting a Proper Job. Before that, she’d got by as a dressmaker and designer, a painter and had written and illustrated a children’s counting book. Her first book, Just for The Summer, was published in 1992 and she’s just finished her seventeenth novel for Transworld.
Tell us about your latest book, and what inspired you to write it.
The new book is called I Should Be So Lucky and it’s about Viola who has had zero luck in her love life. Her first husband (the lovely Marco, father of their daughter Rachel) is gay and now lives with his partner James. Her second, Rhys, was a soap-star love rat who died, crashing his Porsche while leaving Viola for another woman. The book is about Viola getting her life back, both from the past and from her over-protective family who fear she is a doomed sort and needs looking-after.
It was a teeny thing that inspired the book. I got interested in the idea of guerrilla gardening – planting up spare neglected bits of land, either with flowers to jolly up a scrappy place or with vegetables for anyone to have. So I thought a guerrilla gardener would be a fun hero-type character and Viola meets him in the first chapter where he’s planting a tree on a traffic island in the middle of the night and she thinks he’s up to some serious No Good.
Do you have a critique partner or share your work with anyone before you submit to an editor?
Nobody gets to see it before my editor and that’s when it’s completely finished, rather than me sending it in in chunks of chapters, though sometimes I’d quite like to do that, if only to stop me twiddling with it. If I get stuck, I might go out for lunch with my husband and maybe run a few ideas past him. He’s a lateral thinker and often comes up with something I’d never have thought of, plus he’s not had his brain cluttered up by reading it so only sees the problem-of-the-moment.
Your books are full of wit and humour. Does it come naturally or is it a skill you’ve acquired with practice?
I think the older I get the funnier I think life is but I’ve always seemed to see the funny side of most situations. I was once at a funeral and aching with suppressed laughter because the coffin was resting on its stand at a a worrying angle and I was imagining the terrible possibility of it tumbling to the church floor. The awful thing is, I half-hoped it would (the occupant would have loved that, as it happens!) I never said I was nice..
What do you enjoy most about being a writer, and the least?
Of all the characters you’ve created, which one holds a special place in your heart?
I’m a bit torn here. There’s lovely feisty Polly, a ten year old from Pleasant Vices with a show-biz ambition to join the Putney Shangri-la Majorettes and who opens the book by asking her mother, “Mum, what’s oral sex?” (not sure it would be OK to open a book with a child asking that these days..) And I also love Melanie from Unchained Melanie who is writing gruesome detection fiction and getting used to life on her own now her ex has remarried and their daughter has gone to university. It’s a book with sad bits in and fairly deep stuff as well and I gave her a gorgeous gardening (again!) man to fall for.
If you could have the best seats to any event for free, which would you choose?
What makes you laugh the most?
Recently, some seemingly straight but utterly outrageous lines on Coronation Street. Dignified and solemn Mary and Roy in the café, playing chess. She’s eating a sandwich and says, “Sorry Roy, I’ve spilled piccalilli on your bishop”. Had me in fits. And last week, an old hopeful, dating Audrey and asking her if she plays bowls. She says no so he says, “You haven’t lived till you’ve had a wood in your hands”. I can just see the gloriously camp scriptwriter coming up with those. Priceless, for me.
So What Next?
In a slightly loopy way (because I’d made her up in the first place), I’ve always wondered what happened to Miranda, who was a pregnant 16 yr old in my first book, Just for The Summer, set in a Cornish seaside village. It’s been 20 years since that was out so I’ve just written a follow-up with Miranda as the main character this time. Her step-father Jack has just died and the family return to where they once had a cottage to scatter his ashes and have a sort-of memorial holiday. Miranda is more than a bit surprised at who is still around... I loved writing this as I already knew the people but had to move them on. It’s called In The Summertime, doesn’t require previous reading of the first book as it works fine as a stand-alone and should be out in hardback some time around July.
Thank you for sparing time to talk to us today, Judy. We wish you continuing success with your books. To find out more visit her website:
Interviews on the RNA Blog are for RNA members, although we do occasionally take guests. If you are interested in an interview, please contact me: firstname.lastname@example.org