Jill Barry talks
to us about the RNA, the NWS and her onward journey
I’ve been fortunate enough to submit several
scripts to the New Writers’ Scheme. Why do I say that? Because, the
critiques I received helped me reach a level of writing more likely to produce
that longed for submission acceptance. Back in the early ‘noughties’ when I
first gained success with short stories for women’s magazines, I think I had
this hazy kind of feeling that this, plus my insatiable appetite for reading
anything I could lay eyes on, would help push me further up the slush pile.
What a mistake to make! I don’t think I had any idea of the RNA’s existence
then, although my late mother must have read countless romantic novels written
by members.
There are contrasting views, of course, on whether
a creative writing degree course is helpful. Someone encouraged me to enrol on
one and I benefited from being able to compare my own efforts with those of
other would-be authors, plus learning to hop to it in order to meet deadlines.
My qualification gave me the confidence and credibility to run creative writing
workshops, something I enjoy and still do, although it’s online these days.
It’s significant how, while taking that MA course
at Carmarthen, I met Hazel Cushion, well known in the industry. Our paths
crossed a couple more times until, at Caerleon 2011, Hazel gave a talk and I
chatted with her afterwards and pitched my erotic romance, set in the late
Victorian era. This resulted in a contract after which I was accepted into the
RNA as a full member. I went on to have many more acceptances and, after a
period of writing as Toni Sands, took advice from a couple of savvy friends and
adopted a new pseudonym for future (non-erotic) romantic fiction. Jill Barry’s
first effort was begun while following an online course, run by Sally Quilford,
on writing for the pocket novel market.
Two other NWS submissions still sat on my pc. And
it’s one of these I’d like to tell you about. Originally entitled Mrs Robinson,
the novel explores the ups and downs of life after becoming suddenly single.
I’d faced that situation myself but my heroine’s life style is entirely
different from mine, though I did live for a while in the city of Bath where my
story is set. The iconic name is an integral part of the plot but Endeavour
Press have, with good reason, changed my original title to Love
on the Menu. There are cakes and kittens and wine. There’s laughter and
tears. And it’s a far better read than the original A4 bundle that went to my
lovely reader. She knows who she is. Thank you so much.
Links
Twitter: @barry_jill
Thank you for visiting the blog, Jill.
The RNA blog is brought to you by
Elaine
Everest & Natalie Kleinman
If you would like to write for the RNA blog please
contact us onelaineeverest@aol.com
4 comments:
Lovely to find out about your path to publication, Jill. I love the title Love on the Menu! Good luck with your latest release!
Thanks, Helena. Lovely of you to call by. Yes, there is quite a bit about food in this one! All best xx
It's lovely to hear about your journey to publication. It is always so encouraging to listen to how people finally attained their goal. And then changing Genre and becoming Jill Barry. Thanks for sharing and look forward to Love on the Menu.
Lorraine
Thank you, Lorraine, for calling in. I'm glad you enjoyed reading about the ups and downs of it! Good luck with your writing and I hope you find Love on the Menu to your liking x
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