Showing posts with label Elizabeth Goudge Award. Show all posts
Showing posts with label Elizabeth Goudge Award. Show all posts

Sunday, July 17, 2016

RNA Conference 2017 - We Were There!



It doesn’t feel like a week has passed since we started to pack our suitcases and prepared to travel home from the Romantic Novelists’ Association’s Conference. This year we visited the wonderful Lancaster University in Lancashire. Our congratulations and thanks must go to Jan Jones for finding this star amongst the many conference locations. 
Rather than fill the RNA blog with photographs, as by now they would have been shared by members all over social media, I chose to ask a few delegates what they thought about certain aspects of the weekend. Who better to commission than the ladies who shared my dinner table on the first night of our exciting weekend?

We Arrived! – Elaine Roberts
 Six of us travelled by train to Lancaster and met a dear friend at the train station. After much
The Room!
hugging and chatter we secured a mini bus to take us to Lancaster University. Being highly intelligent females we then became very confused. We thought we had to pick up our room keys from the George Fox building - but were wrong. Out came the maps and we set off to walk all over the very large campus before we finally picked up our keys from Barker House Farm. Luckily for us, a lovely young man took us to our block!
We soon settled into our apartments, which were clean and complete with wardrobes and desks. The en suite bathroom had a shower, toilet and hand wash basin. We were also given bath towels, mini shower gels and shampoo. Nestling on the desk, next to a mug, was a bag of tea, coffee, sugar and sachets of milk. Personally, as a non-coffee drinker, one teabag is not enough to get me through twenty-four hours so thank goodness for the university shop!
Kitchen - Party!
The kitchen, that serviced eight flats was a lovely size with two large fridges and freezers, ours soon filled up with wine for our after dinner drinks. We did spent hours sitting around the table chatting and laughing. A good time was clearly had by all.


First Timer – Catherine Burrows
OK, I admit I accidentally on purpose forgot to hand in my name card at the close of conference. I

couldn’t be parted from it (I gave the lanyard and sleeve back, of course). The pink, sparkly flower was my passport to feeling extra special, marking me as a first timer. I’m going again next year and I won’t have my floral name card but it won’t matter because I was overwhelmed by how friendly and relaxed everything and everyone was. It was a whirl of one to ones with agents, workshops, networking, making new friends and catching up with familiar faces. Everywhere I looked I saw smiles, laughter, and words of support or shared knowledge.  I came home with a bag filled with goodies and a mind filled with memories and fresh inspiration. My one big regret? That I waited this long before going to my first RNA conference.
Conference Virgin!


Gratefully Received Feedback – Sarah Stephenson
 The 121s provide a fantastic opportunity to have ten minutes with someone from the industry; agents, editors, publishers representing a wide variety of agencies and publishing houses.
The slots would disappear fast as enthusiastic writers snapped them up when the conference packages arrived. Occasions like this don't often arise. When do writers, unpublished, and many published, get the chance to have feed back on the synopsis and first chapter of their new manuscript?
The queue for appointments, were filled with anxious authors sharing their fears, grabbing those who'd just come out. Fishing for reassurance and information.  'Was he nice? What did she say?' Many had been asked to send in their full manuscript, others provided with helpful ways to move forwards and always masses of encouragement.
I must pick out one member of the industry for a special mention; Kate Bradley from Harper Fiction. Kate specially asked all those she was seeing to send her not just the first chapter but the first three chapters.. She felt it would give her a better idea of what they were writing. And when she met one member of the RNA struggling with her plot suggested seeing her for an additional thirty minutes on the Sunday, so she could help her sort it out. Kate Bradley is not only a very generous woman but totally dedicated to her job.

Food Glorious Food – Natalie Kleinman
I was lucky enough to arrive at Conference a day early and the first meal began with a lovely starter
Thursday night starter!
of melon, mango and sorbet. The meal continued with a very acceptable buffet and though as a vegetarian I couldn’t sample a lot of it, the nut roast was a good alternative. Chocolate brownie dessert – what’s not to like? This held promise for the rest of the weekend, a promise that was sometimes fulfilled and sometimes not. Breakfast was extensive and well-presented though long queues sometimes formed when dishes were not replenished swiftly when they ran out. The Gala Dinner was a huge disappointment for vegetarians. That said, there seemed to be an endless supply of 

tea and coffee, cakes and biscuits and the catering staff were engaging and very helpful. My strongest adverse comment is that there was inadequate seating at lunchtime. Otherwise, seven out of ten.

Fantastic Opportunities - Vasiliki Scurfield
You know that moment when you’re caught between hopeful anticipation and crawling dread? That!
It’s called the One to One.
The moment when the hidden flaw within your work is exposed.
Or not. Perhaps it is the moment all the blood, sweat and tears invested in your product garner the accolade of a Request for Full (or more).
Both of these happened at RNA Conference 2016. Some people were left disappointed knowing they have to go back to the drawing board and start again, while others spent the rest of the weekend in a little bubble of joy. Many, like me, landed somewhere in between; in a keep-at-it-it’s-not-quite-there-but-it-could-be, kind of place.
As usual the conference organisers provided a wonderful cross section of editors and agents, the meetings were well organised and they continue to give RNA members rare access to a fantastic opportunity to use editors and agents as a resource, a learning aid and a doorway into the business.

Gala Night – Rosemary Goodacre
Saturday evening found us assembled in an array of glamorous dresses for the Gala Dinner. We enjoyed a cheese and tomato starter followed by chicken garnished with bacon, and panna cotta. Naturally there was wine and chocolates!
Cheers!
There was applause for our Chairman, Eileen Ramsay, who announced the results of the annual Elizabeth Goudge Award. This year the theme for a short story was on the theme The Joy of the Snow, taken from the title of Elizabeth Goodge’s memoirs. Eileen had received 23 entries, including some amazing interpretations. There were commendations for The Adventuress, by Adrienne Vaughan, All Will be Well, by Jan Jones and Like a New Beginning, by Samantha Bentall. Third Prize was awarded to Rae Cowie, for The Ice Opera, and Second to Jane Lovering, for Holding Florence. The overall winner was Chrissie Bradshaw, for Such Small Moments, which was inspired by her son’s medical trips to Syria.
Finally there was much cheering and applause as Jan Jones was presented with a beautiful bouquet for all her hard work organising the conference.

Thank you for your thoughts and opinions, ladies. We all agree that a fab time was had by all thanks to Jan and her team. See you next year at Harper Adams for #RNAconf2017





Tuesday, June 9, 2015

SOPHIE CLAIRE: What I Learned from the New Writers' Scheme

For any graduate of the New Writers' Scheme Sophie Claire’s blog piece will bring back memories of the days leading up to publication. For me that culminated in the recent Joan Hessayon Award evening at the RNA Summer Party so I am delighted to welcome her today to tell us of her own experiences

I’ve been a member of the RNA since 2007 and I submitted 7 novels to the New Writers’ Scheme before getting an offer of publication from Accent Press in 2014 for my novel,  Her Forget-Me-Not Ex. I think it’s fair to say I served a long apprenticeship and, although this was frustrating at the time, I look back now and realise how much I learned during those years.

Discipline: to make the most of the NWS I had to write a minimum of 1 book per year. It’s the same for many published writers. So even before I was published, I tried to adopt a professional attitude and that meant no waiting around for inspiration to strike: I was at my desk every morning to produce my daily word count.
Anything can be changed: when I first began writing I was very precious about my work and it was borne of insecurity (‘I wrote it once, but I won’t be able to write it again’). However, the revisions often turned out to be far easier than I’d imagined because by then I knew the characters so much better than in the first draft.
The importance of conflict: this came up repeatedly in my NWS reports. I learned that in romance solid, sustainable reasons are needed to keep the hero and heroine apart until the end of the story, and those reasons (conflict) can’t be superficial misunderstandings that could be cleared up with an honest conversation. They need to come from within the characters, and should develop naturally as the novel progresses, as secrets are revealed and issues are addressed.
Show more of the hero’s point of view: this was advice given to me specifically for the type of short romance I was aiming for and it might not be relevant to every novel. However, following it improved my novel, Her Forget-Me-Not Ex. It opened up the story, and helped to show the reader how the conflict between Luc and Natasha was shaped by their attitudes and prejudices, and how these changed as the story progressed.
Acknowledge your strengths: when a report tells you you’re good at something, the writer means it! Re-reading my critiques I can see that each year another element fell into place: I learned to focus on the main characters, increased dialogue and pace, added more emotion. It’s important to acknowledge how your work has improved, as well as the areas which still need work, because staying positive is so important!

Being published doesn’t mean you suddenly know everything overnight, but I do believe that, having climbed that steep learning curve, the process becomes easier. For this reason I’ll always be grateful to the experienced writers who read my manuscripts. Their advice was invaluable and I doubt I would ever have achieved my dream of getting published without it. I recommend the New Writers’ Scheme to all aspiring romance writers.
About Sophie

Sophie Claire was born in Africa to a French mother and Scottish father who settled halfway in Manchester, and Sophie still lives there now with her husband and two boys.
Sophie was shortlisted for the Elizabeth Goudge Award 2011 and the Sophie King Prize 2014. Over the years she has worked in marketing and proofreading academic papers, but writing is what she considers her 'real job', even if she has yet to convince the bank manager.

Links:
Amazon UK
Twitter @sclairewriter

What a positive and encouraging piece, Sophie. Thank you for joining us today and good luck with Her Forget-Me-Not Ex

The RNA blog is brought to you by 
Elaine Everest & Natalie Kleinman
If you would like to write for the RNA blog please contact us on elaineeverest@aol.com