Showing posts with label Sophie Claire. Show all posts
Showing posts with label Sophie Claire. Show all posts

Monday, October 16, 2017

Sophie Claire: Diary of a NaNoWriMo-er

Today we welcome Sophie Claire to the blog to talk about her experience with November writing challenge NaNaWriMo, where participants attempt to write a novel in a month.


Sophie writes emotional stories set in England and in sunny Provence, where she spent her summers as a child. She has a French mother and a Scottish father, but was born in Africa and grew up in Manchester, England where she still lives with her husband and two sons.
Previously, she worked in Marketing and proofreading academic papers, but writing is what she always considered her ‘real job’ and now she’s delighted to spend her days dreaming up heartwarming contemporary romance stories set in beautiful places.
You can find out more at www.sophieclaire.co.uk, on Twitter @sclairewriter and on Facebook @sophieclairewriter


Over to Sophie...

This time last year I decided to take part in NaNoWriMo. Why?
Well, for most of October I had been wrestling with the opening of a new novel, but I was frustrated at my lack of progress. I figured if I could complete the NaNo challenge and write 50,000 words in a month, I’d be well on the way to completing a first draft. However, I’d tried NaNoWriMo before with no success, and I’m a slow writer, so I was more than a little apprehensive.
Throughout the month I kept a diary of my progress. Here’s a quick peep to show you how I got on:

November 2016
Days 1-4:
I’m writing 2000 words per day (weekdays only – weekends are too busy with family life) and the first few days go according to plan, but my worry is can I sustain this pace for a whole month? I have a plot outline and three or four characters, but the rest is hazy, as it always is when starting a first draft. However, the doubts which were slowing my progress before I started NaNoWriMo (Does this story have legs? Is it going to work?) are laid to one side as I focus purely on output. NaNoWriMo is unashamedly about quantity, not quality.

Days 5-10:
NaNoWriMo is making me more disciplined about my writing, and I realise that in recent months I had let my standards slip. I would start writing, then check emails. Write a bit more, check Twitter, then Facebook, then do a little internet research – and before I knew it I’d lost hours. Now, however, I don’t allow myself to do anything else until my 2000 words are written. Surprisingly, this can take as little as two and a half hours. I resolve to keep up the strict discipline once NaNoWriMo is over. Then I wonder, is it easier to stay disciplined when you know it’s only for a month? And perhaps there’s comfort too in knowing that thousands of other writers (including friends) across the world are working hard too?

Days 11-15:
I’m prioritising my writing over other activities, and I hadn’t anticipated how satisfying this would feel. I’m totally focused on my novel, and when I’m writing I lose track of time. I’m really enjoying being immersed in my fictional world. It feels as if a love affair has been rekindled.
Also, if NaNoWriMo is anything like new year’s resolutions, then I’d expect the halfway point to be the time when a lot of people give up. I’m still going, however, and proud to have made it this far.

Days 16-20:
I unexpectedly hit a wall and for several days in a row writing is like pulling teeth. I manage to keep up with the word count, but it takes twice as long, and I’m worried: is this the point where my plot will run out of steam? I’ve written thousands of words but are they all rubbish? I tell myself it doesn’t matter; if it fails, I’ve only lost a month’s work. Head down, I persevere.
Then I turn a page and it all begins to flow again. There’s no time to analyse what caused the blip. I keep forging ahead, relieved and thankful that the momentum is back.

Days 21-25:
I’m suddenly reminded that I haven’t done any Christmas shopping and have no prospect of doing any until NaNoWriMo is over so I make the spontaneous decision that, having dedicated November to my novel, December will be a time of catching up with family life and non-urgent jobs, like research and proofreading a friend’s novel. This motivates me to work even harder at NaNoWriMo and I up my word count from 2000 words per day to 2500.

Days 26-28:
I’ve reached 44,000 words and a writer friend emails to say ‘Make sure you get the ending down’. She’s right. 50k words will be an achievement but it’s not a complete novel, so now my focus shifts from meeting daily word counts to racing through the final plot points before I run out of time. The characters are finally coming alive now, and new scenes and twists are coming to me while I’m doing other things like shopping; fortunately I carry a notebook with me everywhere and frantically scribble notes so as not to forget these unexpected ideas. I love this stage: the book is becoming a living breathing story in my head, and I can’t wait to get to my computer each morning.

Days 29-30:
I hit 50,000 words on day 29 – a day early – but the ending isn’t complete so I carry on writing. On day 30 I cross the finishing line with 52,000 words under my belt. It’s rough, it’s going to need a couple more drafts at least, but I have the beginnings of a book. The first draft is always the hardest part of the writing process for me and that’s done, so now I can look forward to reshaping and editing it in the new year. The sense of achievement is huge! My goal was to kick-start a slow-moving project and, thanks to NaNoWriMo, I’ve certainly achieved that.

Sophie x


Thank you for that insight into your NaNo month Sophie. It's fascinating to see how the writing process changes with a new structure or incentive.

Monday, May 2, 2016

Joan Hessayon Award contender 2016: Sophie Claire

Today we welcome Sophie Claire, another of the talented contenders for this year's Joan Hessayon Award and graduate of the RNA New Writers' Scheme. Thank you for answering our questions, Sophie.

How long have you been writing? Is this your first published piece?
Her Forget-Me-Not Ex is my first published novel, and I’ve been writing seriously for about ten years. Before that it was a hobby which I squeezed in around looking after my children who were babies/toddlers at the time. I used to write while they napped, and my mother-in-law would babysit once a week so I could go to my local writing group. Once the children were both at school things became a lot easier and I realised that writing wasn’t just a hobby, but a compulsion. That’s when I started thinking of it as my profession and I began attending writing courses and submitting my work for critique. It was on one of those writing courses that I heard about the RNA and the New Writers’ Scheme.

How many years were you a member of the NWS and did you submit a manuscript each year?
I was a member of the NWS for 8 years and submitted 7 novels – so almost one each year. Being part of the scheme was an invaluable experience for me and I learned so much from it. I blogged about it here. I also met many friends and mentors along the way, and I recommend the scheme to all aspiring romance writers.

What came first, agent or publisher?
Publisher. I’d love to find an agent – fingers crossed!

How did you find your publisher?
I booked a one-to-one with Accent Press at the RNA conference and sent them the first chapter of Her Forget-Me-Not Ex. They then asked to see the full manuscript, and contacted me within a fortnight to make an offer. I’d never had such a speedy response from a publisher before – I was really impressed.

When was your book published?
It was published in May 2015, which was great timing because it’s a very summery book, set mainly in sunny Provence.

Tell us something about your book
Natasha has consigned her wealthy French ex-husband Luc to the past, so she’s horrified when he turns up at her village florist’s shop out of the blue, pleading for help. He never dared to tell his family about the divorce, and when he asks her to come to France and pretend they’re still married for a couple of weeks to please his sick father, she’s not sure she can say no. She certainly isn’t prepared for the warmth of his family’s welcome, or the attraction that’s still simmering between her and Luc.
But it’s just two weeks in a vineyard, no strings attached, right?

What are you currently working on?
I’m working on my next book which is set in a picturesque fishing village in the south of France. One of the perks of my job is that no matter what the weather here in Manchester is like, I can escape to the sunshine and heat of Provence with my characters.

What piece of advice would you give current members of the NWS?
Believe in yourself and keep writing. It can be so hard to keep faith in your work when the rejections are rolling in, but they’re inevitable I’m afraid. So get support wherever you can get it – be it from a writing group or a critique partner – and listen to the positive feedback you get about your work as well as the parts you need to work on. I’m lucky enough to have the most supportive critique partner as well as the group, Novelistas Ink, who are always on hand if I need support or advice. I couldn’t do without them.

Links:
Amazon:      
Twitter @SClaireWriter

Thank you, Sophie, we hope you have a fabulous evening at the RNA Summer Party and good luck with your writing career.

The RNA blog is brought to you by

Elaine Everest & Natalie Kleinman



Tuesday, June 9, 2015

SOPHIE CLAIRE: What I Learned from the New Writers' Scheme

For any graduate of the New Writers' Scheme Sophie Claire’s blog piece will bring back memories of the days leading up to publication. For me that culminated in the recent Joan Hessayon Award evening at the RNA Summer Party so I am delighted to welcome her today to tell us of her own experiences

I’ve been a member of the RNA since 2007 and I submitted 7 novels to the New Writers’ Scheme before getting an offer of publication from Accent Press in 2014 for my novel,  Her Forget-Me-Not Ex. I think it’s fair to say I served a long apprenticeship and, although this was frustrating at the time, I look back now and realise how much I learned during those years.

Discipline: to make the most of the NWS I had to write a minimum of 1 book per year. It’s the same for many published writers. So even before I was published, I tried to adopt a professional attitude and that meant no waiting around for inspiration to strike: I was at my desk every morning to produce my daily word count.
Anything can be changed: when I first began writing I was very precious about my work and it was borne of insecurity (‘I wrote it once, but I won’t be able to write it again’). However, the revisions often turned out to be far easier than I’d imagined because by then I knew the characters so much better than in the first draft.
The importance of conflict: this came up repeatedly in my NWS reports. I learned that in romance solid, sustainable reasons are needed to keep the hero and heroine apart until the end of the story, and those reasons (conflict) can’t be superficial misunderstandings that could be cleared up with an honest conversation. They need to come from within the characters, and should develop naturally as the novel progresses, as secrets are revealed and issues are addressed.
Show more of the hero’s point of view: this was advice given to me specifically for the type of short romance I was aiming for and it might not be relevant to every novel. However, following it improved my novel, Her Forget-Me-Not Ex. It opened up the story, and helped to show the reader how the conflict between Luc and Natasha was shaped by their attitudes and prejudices, and how these changed as the story progressed.
Acknowledge your strengths: when a report tells you you’re good at something, the writer means it! Re-reading my critiques I can see that each year another element fell into place: I learned to focus on the main characters, increased dialogue and pace, added more emotion. It’s important to acknowledge how your work has improved, as well as the areas which still need work, because staying positive is so important!

Being published doesn’t mean you suddenly know everything overnight, but I do believe that, having climbed that steep learning curve, the process becomes easier. For this reason I’ll always be grateful to the experienced writers who read my manuscripts. Their advice was invaluable and I doubt I would ever have achieved my dream of getting published without it. I recommend the New Writers’ Scheme to all aspiring romance writers.
About Sophie

Sophie Claire was born in Africa to a French mother and Scottish father who settled halfway in Manchester, and Sophie still lives there now with her husband and two boys.
Sophie was shortlisted for the Elizabeth Goudge Award 2011 and the Sophie King Prize 2014. Over the years she has worked in marketing and proofreading academic papers, but writing is what she considers her 'real job', even if she has yet to convince the bank manager.

Links:
Amazon UK
Twitter @sclairewriter

What a positive and encouraging piece, Sophie. Thank you for joining us today and good luck with Her Forget-Me-Not Ex

The RNA blog is brought to you by 
Elaine Everest & Natalie Kleinman
If you would like to write for the RNA blog please contact us on elaineeverest@aol.com