Showing posts with label Harlequin Mills & Boon. Show all posts
Showing posts with label Harlequin Mills & Boon. Show all posts

Friday, September 2, 2016

Virginia Heath: The Elusive Sparkle

Today we welcome author, Virginia Heath to the blog to tell us about her amazing year.

Not so long ago I was sat in my empty classroom at the end of another challenging school week,
pondering my life. It was, I conceded a pretty good life too. I had a wonderful husband, two fabulous teenagers, my own home and a good job. Yes, teaching history to eleven to sixteen year olds had its challenges, but I loved teaching. I even loved the teenagers I taught (well most of them anyway, some I wanted to strangle on a daily basis, but hey, I’m only human). So why did I feel like something was wrong?

In truth, that elusive something had been niggling me for quite some time. I’m a creative person. I love to make things- clothes, candles, cakes. Stories in my head. For years, I’d been telling my students and my family I would write a book one day. Then it dawned on me. I had all these stories running riot in my head but I never had the time to actually write them down, and that, in a nutshell was what was at the heart of what had been bothering me.

Teaching is hard work. There is always some new government initiative that lands on the top of your to-do pile and takes over your life completely until they change their mind again. Which they do often, by the way. If I was going to ever find the time to write a book I had to do something drastic.
With trepidation, I swivelled my chair towards my waiting computer screen, and on a whim, because that is exactly what it was, I began to type my resignation there and then. I did not even bother reading through the short paragraph to check for spelling mistakes, I just clicked send. Then I phoned my husband, who was abroad on business at the time, and dropped the bombshell. “I’ve just quit my job.”

To his credit, he simply said, if that’s what you want to do, then I support you. And thank goodness he did. My boss, immediately urged me to reconsider. All of my colleagues did. “Take the weekend,” they said, “Really think about it.” But because my family supported me, it gave me the strength to stand by my unexpected decision. Somehow I knew it was right.

I will never forget my daughter’s words when I got home and told her. “You used to sparkle Mum. And lately, you’ve lost your sparkle.” It spurred me on. By Monday morning, the die had been cast. I had walked to the edge of the metaphorical cliff, and thrown myself joyfully over. I was filled with a new sense of purpose and excitement. I had to find my sparkle, especially now that I knew it was missing, and I was going to write a book. And get it published.

My fantastic husband bought me a new computer, a proper desk and one of those sexy office chairs which are designed to support the contours of your back for hours on end. So I wrote my book…
At this point, I should inform you things did not quite go according to plan. I wrote a book and proudly sent it off to publishers and agents. Few replied. Those who did, kindly informed me it wasn’t good enough. So I wrote another book. Then another. However, my confidence had been so shaken by the rejection of the first manuscript, I couldn’t summon the nerve to send off the others. However, I wasn’t prepared to give up the dream yet. Each book was practice, training. Each book was better than the last.

Eighteen months after quitting my job, I was vacuuming the living room. That Despicable Rogue,’ I thought, ‘That would be a great title for a book.’ I pondered some ideas and started writing. The story came from nowhere and developed as I went along. But it flowed. When I finished it, I had a feeling this was a turning point. I submitted it to Harlequin the very next day. A fortnight later, an editor emailed me to say they thought it had potential. I cried and my marvellous, bewildered son made me tea and sat with me in case I did something irrational. Six weeks after that e-mail, I signed two-book contract with Harlequin. I have since happily signed on for more. My second novel, Her Enemy at the Altar was released in August, and like my debut novel, once I got started, the characters pretty much wrote the book for me. They are a hilarious pair. If I had to describe their story in a sentence it would probably be The Taming of the Shrew with a sprinkling of Romeo and Juliet- but with a happy
ending. Constance is a tempestuous redhead with a penchant for throwing things and Aaron is a cocky, charming but troubled hero. Sometimes I never quite knew if they were going to kiss or kill each other.

Once I finished that book, I immediately started another, so The Discerning Gentleman’s Guide comes out in November. All in all, 2016 has been a momentous year. 2017 is going to be just as busy. And just in case you were wondering, I found my sparkle. It had hidden itself in the keyboard of my new computer, that sits on my new desk in my office at home… I wish I’d known. I’d have found it much sooner!

Thank you, Virginia, and good luck with your books!


If you would like to be interviewed, or write something for the RNA blog, please contact the team on elaineeverest@aol.com

Tuesday, October 6, 2015

Ticking All the Boxes


Today we welcome Fenella Miller to the blog. Fenella tells us how she and four other authors collaborated to produce box sets.

I would like to say thank you for inviting us to be part of the RNA blog. Melinda Hammond, Amanda Grange, Elizabeth Bailey, Monica Fairview and I are all bestselling authors in a variety of genre. I discovered a multi-author crime box set and thought it an excellent idea to promote each other’s work and get new readers.
Regency Quintet
Christmas Edition

Our first foray into multi-author box sets, the Valentine Edition, had a slightly different format as Wendy Soliman was one of the five authors, but she had to drop out and we were delighted Monica Fairview was able to join us. This box set did amazingly well – way above our expectations so we decided to continue. The second, Regency Quintet Summer Edition, also did well. We are just about to publish our Christmas box set and this is the first one with new titles.

This has been an enjoyable venture. However, as the box sets are on my account I have to keep track of sales and work out the royalties, which is a worry. If you have friends who write in a similar genre you could do this. Our box sets sell at £1.99 – an absolute bargain for five books – so don’t expect to make a fortune - think of it as a promotional opportunity. You might be lucky and find your box set becomes a bestseller. My advice is to have a go – but whoever’s hosting shouldn’t have more than two to juggle with.

A Most Unusual Christmas
Fenella J Miller
Miss Cressida Hadley is delighted when Lord Bromley and his family are unexpectedly obliged to spend Christmas at The Abbey. However, falling in love with Lord Bromley hadn’t been part of her plan.

Winter Inheritance
Melinda Hammond
Governess Verity Shore longs for a little adventure, then Rafe Bannerman too exciting!
arrives to carry her off to Highclough and Verity discovers that life can be a little

A Very Merry Chase
Monica Fairview
A penniless lady is caught poaching by a lord, but when she flees to her rich aunt’s manor, she finds the same man is her aunt’s house guest.

His Lordship’s Christmas Bride
Elizabeth Bailey
Isolde Cavanagh seeks refuge with her father’s old friend and finds a reluctant guardian in his son. Richard de Baudresey.

A Six-Month Marriage
Amanda Grange
Desperate to escape her brutal uncle, Madeline Delaware enters into a marriage of convenience with Philip, Lord Pemberton. On the night of the Christmas fete they give in to their feelings but it is not until they vanquish a woman from Philip's past that they find the happiness they deserve.

I asked my fellow authors what they thought about our joint venture.

Melinda Hammond
Melinda Hammond said: I have known my fellow authors for many years and it is a delight to be working with them. We support and encourage each other, and the added bonus is that we are providing our readers with a variety of Regency romances.

Elizabeth Bailey
Elizabeth Bailey said: I love historical romance and despite forays into historical mystery and edgy women’s fiction. I was delighted to be offered the chance to work with friends and fellow authors on the Regency Quintet box sets.






Monica Fairview
Monica Fairview said: I was thrilled to be asked to join the group. It is an opportunity to work with some of the best authors in the field (who also happen to be lovely friends), but will also keep me on a strict deadline. It’s a wonderful way for readers to try other writers.

Amanda Grange said: I like working with friends. Writing is usually a solitary business but the box sets give us a reason to email each other and keep in touch. As an author, it's a good way for me to maximise earnings and it's good value for readers. They get 5 books for the price of 1 - or even less than the price of 1, judged on paperback prices. It's also a good way to readers to try new authors and discover new favourites.


I thought you might like to know a little about all of us and our latest books.

Fenella J Miller was born in the Isle of Man and wrote her first book when she was twelve. There are now forty books published including seven WW2 family sagas.
Her latest book is Christmas at Castle Elrick, a Regency fairy tale - Miss Verity Sanderson the beauty and Sir Ralph Elrick the beast. Castle Elrick is a cold, unwelcoming place situated on the bleak Northumbrian coast and Ralph and his small staff are not the only residents. Will Christmas be a celebration or will the ghosts of Castle Elrick force them apart?

Amanda Grange was born in Yorkshire and studied music at Nottingham University. Her first novel, A Most Unusual Governess, was published in 2001, after which she had another 25 novels published by a range of publishers.
Amanda's best-known book is Darcy's Diary 


Melinda Hammond was born in the West Country and grew up with a love of history. She has written more than 40 historical romances, including the award-winning Dance for a Diamond. She also writes romantic historical adventures for Harlequin Mills & Boon under the pen name of Sarah Mallory and won the RNA's Rona Rose for two of her titles.

Monica Fairview’s first novel was a Regency which was published by Robert Hale. Since then she has also published several Jane Austen variations and sequels. She is best known for The Other Mr Darcy and for her series The Darcy Novels. For more about Monica, go to http://monicafairview.com
Here are the links to Mr Darcy's Pledge on Amazon. 
 




Elizabeth Bailey’s latest stand-alone story is a romantic suspense novella, Silence of a Stranger - Is
Bea’s life more at risk than her disobedient heart?

A wonderful idea and good to see five authors working so well together. We wish you luck with your forthcoming Christmas box set.



The RNA blog is brought to you by,

Elaine Everest & Natalie Kleinman

Would you like to write for us?

Get in touch on elaineeverest@aol.com







Tuesday, July 7, 2015

Louise Allen: From Fact to Fiction and Back Again

A truly fascinating account of what research can lead to from today’s guest, Louise Allen

I write historical romance, mainly Georgian-set, so I have every excuse for lots of fascinating (and work-postponing) research. My desk is heaped with books and original prints and my PC bulges with files of references and the big problem is knowing when to say “Stop!” and start getting on with the book.

A few years ago I had a light-bulb moment and realised that I could use the research I was doing for my novels and turn it into non-fiction, covering themes that interested me and which I hoped would also interest my readers. That led me to producing a book of Walks Through Regency London, which in turn led to Walking Jane Austen’s London (Shire) and a regular blog, also about Jane Austen’s London.

That, I thought, would be that, until I found myself wrestling with stagecoach timetables and Georgian road maps and lists of inns as I tried to plot my heroine’s journey as she first of all eloped, and then fled from her lover, in From Ruin to Riches. What I could not find was a book about the experience of stage and mail coach travel for the passengers – so I wrote one, Stagecoach Travel (Shire). Both experiences – the London walks and the stagecoach research – led me to even more fiction plots and a real feeling of closeness with my characters as I clambered in and out of stagecoaches, or had a conversation with a gas-lamplighter in an atmospheric alleyway in St James’s. (Yes, there really are lamplighters left in modern London.)

Researching stagecoach travel made me wonder how much of the most famous of the coaching routes, the Great North Road, can still be found, so my husband and I set out to travel it and found the inns and the old bridges, the spots where highwaymen were hanged and terrible coach accidents happened – and a deserted graveyard with the headstone of a man killed in a duel with his close friend. Once more my notebooks filled up with plot and character ideas and I felt more and more in touch with the travellers of the time.

My latest book is the third in a Waterloo trilogy (The Brides of Waterloo, with Sarah Mallory and Annie Burrows.) My novel, A Rose For Major Flint, begins on the morning after the battle when my hero, Adam Flint, rescues my heroine, a traumatised, speechless young woman he calls simply, Rose, from a group of scavengers.

So, of course, I needed to know what it was like on the battlefield that morning. To my amazement I discovered that there were tourists on the field almost at first light, interrupting Captain Mercer and his artillery troop as they ate their breakfast amidst the carnage.

Soon I was accumulating first-hand accounts by travellers who, in some cases, arrived on the scene within days. From their words I knew what the battlefield looked like and smelled like and what the ground was like underfoot. I discovered what the state of the roads was and what was happening to the dead and injured and discovered tiny, heartbreaking details, such as the patches of wildflowers left amidst the carnage. I read about the gardener at Chateau Hougoumont who stayed throughout the battle and was found wandering through his wrecked gardens, bewailing the bodies amongst his cabbages, the farmer’s wife who was annoyed at the field hospital set up in her barns, but was quite pleased to have had a general nursed in her cowshed and the local peasants searching for items they could sell to the tourists – the beginning of a local industry that endures to this day. From that research came The Road to Waterloo: the first battlefield tourists 1815-1816.

A Rose For Major Flint                                                                                   To the Field of Waterloo





















It is definitely a virtuous circle – my novels demand research, then the research gives me the facts, and more importantly the feel of what I am investigating, and from that I can produce non-fiction books that I hope add something deeper to my readers’ experience.

                                                                                   
Louise Allen’s 50th historical romance for Harlequin Mills & Boon comes out this year and she is also the author of five historical non-fiction titles. She lives on the North Norfolk coast with her husband and a garden full of bossy pheasants and travels as much as possible in search of inspiration and to escape deadlines.

@LouiseRegency

Louise, you will have touched many of us today with your references to Jane Austen, Regency London, Georgian road maps and Waterloo. It would seem your knowledge is encyclopaedic. Cue for another book?

The RNA Blog is brought to you by 
 
Elaine Everest & Natalie Kleinman

If you would like to write for the blog please contact us on elaineeverest@aol.com





Tuesday, January 13, 2015

Carol Townend - Hot...or What!

Courtesy of Mills & Boon
Today we are delighted to welcome Carol Townend. We put some questions to her:

When did you decide to write your first book and how long did it take?
The first book I finished was Sapphire in the Snow which I probably wrote in 1987. I can’t quite remember because it’s so long ago! After some revisions Mills & Boon published it in 1989 and to my delight it won the RNA New Writers' Award. I think it took around six months to write, although I’d been thinking about the plot for a while before I began. It was written on an Amstrad, which was entirely different to a modern computer. I loved my Amstrad, but it struggled to cope with files larger than about 10 pages. Also, the novel took an age to print and came out in one long sheet. You had to separate the pages manually! I wrote about five novels on an Amstrad.

Have you always wanted to be a writer?
Yes, although it took me some time to really get down to it. I played about with various writing courses which were great except they kept trying to make me write articles when all I really wanted to write was medieval romance. When my daughter went to school, I wrote three romances quite quickly and was thrilled when they were accepted by Harlequin Mills & Boon. I guess the message there is to write what your heart tells you to write!

How do you fit your writing around your home life?
It’s a job and I treat it as such. After various displacement activities in the morning – putting on the washing machine, tidying up, dealing with mail etc – I try to get started on the WIP around coffee time. Ideally this is five days a week. I finish at 6. Sometimes I write at week-ends, but it’s important to have a life too…

How good are you at planning your work? Do you prefer to wing it?
A lot of planning goes in. I have a set of coloured school notebooks and pick one for each novel. They say ‘Oxford’ on the covers, but we buy them in French supermarkets on research trips. By the time the notebook is full, it’s usually time to start writing. Having said that, the story never goes to plan! My characters are wayward and tend to run off in all directions. In The Stone Rose, a medieval saga I wrote for Headline, one character got up and walked out of the book half way through. I tried to pin him down by breaking his leg – ha! It kept him in place for a short time, but as soon as the leg was healed he was off again. I let him go and in the end he came back again, and the book was better for it. So I’ve learned that the characters know best, and let them have their head. It makes for a more interesting journey. It also makes me wonder why I do all that planning!

Do you enjoy research?
I love it. I read history at university, so the interest in anything medieval has always been there. A great joy of writing medieval romance it that it give you an excuse to visit castles all over Europe. I like to explore the town/area where a book will be set and get the medieval map firmly in my head. It’s not always possible, but a visit to Istanbul resulted in the Palace Brides trilogy set in eleventh century Byzantium. Places are very inspiring. When visiting Quimperlé in Brittany, a whole novel popped into my head. An Honourable Rogue was inspired by the church at the confluence of two rivers.

What did you enjoy most about writing your novel and how do you relax when you're not working?
Finishing it! Writing is hard work and I am lazy…then I can enjoy reading, walks in the countryside, chatting with friends, cinema.

If you were a guest on Desert Island Discs what would be your chosen book?
This varies. This year it’s Transcendence by Shay Savage, an unlikely time-slip romance between a teenager of today and a cave-man. The cave-man cannot speak or understand language, and the idea that the heroine comes from the future is quite beyond his grasp. The entire novel is told from his point of view and there is no dialogue. It’s hard to pin down why I adore this book, but the fact that the hero constantly misunderstands the heroine makes for an extraordinarily poignant and moving read.

If your next title Lord Gawain’s Forbidden Mistress was turned into a film who would you like to play the main characters?
Pass. I think it’s important to let readers make up their own images of the characters. Suffice to say that Lord Gawain has sun-streaked hair and brown eyes. He’s a knight, so he is strongly built. Elise, aka Blanchefleur le Fay, is dark, the cover image fits her very well!

What is next for Carol Townend?
I’d like to write two more stories in the Knights of Champagne mini-series. After that, Sicily is throwing out lures. Spain is too. Who knows? I can’t plan too much in advance, but it’s likely to be medieval. And romantic, naturally!

Publication day of my next title: 1st March 2015, Lord Gawain’s Forbidden Mistress. It is Book 3 in the Knights of Champagne mini-series.

Carol Townend writes medieval romances set in England and Europe. Born in Yorkshire, she went to a convent school in Whitby and studied history at London University.
Her first novel, Sapphire in the Snow, won the RNA New Writers' Award. In 2013, Betrothed to the Barbarian was shortlisted for the RoNA Rose Award.
Carol's non-fiction writing includes dozens of articles for Writing Magazine and Writers' News, and a portrait of the Romanovs using photographs from the Imperial albums. Carol lives in London with her husband and daughter.
  
Lord Gawain’s Forbidden Mistress will be published in March 2015, it is the third book in the Knights of Champagne mini-series set in twelfth century France.


Thank you for joining us today, Carol.

The RNA Blog is brought to you by
Elaine Everest and Natalie Kleinman.

If you would like to write about the craft of writing or perhaps be interviewed about your writing life please contact us at elaineeverest@aol.com





Friday, July 18, 2014

Vignettes Post RNA Conference

As far as romantic writers were concerned the weekend of 11th July meant that all roads led to Telford, Shropshire for the 2014 Romantic Novelists Associations' Conference. A good time was guaranteed for all. Below are memories from those who took part. Speakers, organisers, first timers, old timers and the wonderful authors who represented the RNA at the Blist's Hill Victorian Town, Ironbride Gorge Museum.
Venue
Five ladies shared a taxi from Stafford Station to the Harper Adams campus last Friday afternoon in weather much improved from that which they’d left behind in the capital. Lovely to be in the country surrounded by so much green and, with the wind blowing in the right direction, you would never have known you were in close proximity to cows and pigs.
It’s a lovely campus, modern and peaceful – except for the happy chatter in the early hours from a number of kitchen parties, a recognised activity for any RNA overnight event – and in its own way that was peaceful too. A confirmation that all was well in the world of the romantic novelist.
Although delegates had to negotiate three separate venues - accommodation, dining room and lecture halls - the distance between them wasn’t so great as to lower the spirits. Oh, and the chairs were comfortable. Worth a mention, you ask? If you have, as I am sure you have, sat in on talks where you were so busy shifting from one cheek to the other that it was difficult to concentrate on what the speaker was saying…yes, definitely worth a mention.
For me the hub of the whole venue was the Weston Building where Jan and Roger could be found much of the time reassuring and directing, particular at first before I’d had time to acclimatise and take stock of my surrounding. That’s not the kind of stock they had on campus, though I understand there were piglets and I might have been tempted to take one of them.
Come the evening of the Gala Dinner I even managed, to walk from my room to the dining room in High Heels. Okay, this may not seem such a great feat for some of you but for me high-heeled shoes are something I wear only for decoration. They are certainly not meant for walking in!
There was little time to spare in a very packed few days but we did manage a few minutes here and there sitting in the sunshine in between events. A far cry from our usual environment and, in spite of all the activity, an air of peace.
Natalie Kleinman



 
'Drinks Party sponsored by Independent Publishing at Amazon' and Darren Hardy is the UK Manager for Kindle Direct Publishing






Darren Hardy (UK Manager for Kindle Direct Publishing) and guests




Room with a view
Four of us travelled to Telford together and after an eventful journey, which included us having to change trains because a bird had flown into ours and broken the windscreen. We picked up our keys from the Aspire Building and, being travel weary, we didn’t listen to the directions we were given, so out came the maps. Being highly intelligent people, we then got very confused over the room numbers on the brown envelopes we were given. Our flat keys were inside and the room numbers began with SC. However, the wall plaques inside the buildings began with RC, luckily someone, another kind writer, came to our aid.

We soon settled into our apartments, which were compact but complete with wardrobes and desks. The en suite bathroom had a shower and I certainly became a contortionist to keep the taps on, to fill the sink while brushing my hair.

The kitchen, that serviced eight flats, had an endless supply of tea, coffee and hot chocolate as well as natural teas. It was a lovely size with two large fridges, ours soon filled up with wine for our after dinner drinks.
As we made our way back to our rooms, from the gala dinner, it was clear that nearly every block we passed were having at least one kitchen party, the laughter and cheers ringing in the darkness of the night. A good time was clearly had by all.
Elaine Roberts


Industry appointments
I’m in awe of Jan Jones! However did she managed to coordinate the industry appointments as well as organise such fabulous conferences for so many years?

When Jenny Barden called on RNA committee members to help out this year I tentatively raised my hand. What could I do? Perhaps she required someone to wash up or finish up the dregs of wine after Gala night? I could be a food taster – any excuse to stop the diet for a week or so! I looked at the suggested list and ticked the box for industry appointment coordinator. Hey, I’d attended conferences in the past and knew it wouldn’t take much to send a quick email to a delegate and tell them the time of their appointment – I was wrong.

When the information pack arrived from Jan my tummy did a flip. This looked pretty serious to me. So many appointments and look at the list of illustrious industry people who had offered their time. Me? I had to liaise with all sides and actually speak to these important people – well, email, but it’s the same as I’d still have to keep an eye on what I said and not make silly jokes, or call them by the wrong name.

On the morning the conference packs hit hundreds of doormats my email inbox exploded with incoming messages. I needed a system. I put on my office manager head – it had lived under a dust cover for the past seventeen years whilst I pretended to be a writer (someone is sure to catch me out one day) and devised a fool proof system.

I was already having nightmares about irate authors and being drummed out of the RNA for letting them down. Thankfully it never happened. What did happen was that I spent just over a month chatting to lovely people and advising some on the right interview to attend and what to submit. I had chats with new writers who experienced meltdowns over their work and wished to cancel. I can do meltdowns with ease so was extremely sympathetic. On the other hand I can also nag so talked others into seeing it through. There was only one instance of a missing email but checking my clever system I knew that the naughty little mail had never hit earth and is still out there somewhere in cyber space.

Am I glad I took on this job? You bet! In fact I’ve already signed up with Jan to do it next year. I’ve made so many friends and actually met them, rather than just chatting on Facebook or sharing tweets. With luck I will make even more friends next year.
Elaine Everest


The panel that considered the Future for Romantic Fiction were (left to right): Katie Fforde (President, RNA), Pia Fenton (Chair, RNA), Jenny Barden (Facilitator for the panel), Richard Lee (Chair, Historical Novel Society), Nikki Logan (President, Romance Writers of Australia)

A worthwhile opportunity
Having not let anyone read much of my work; the idea of sending in a chapter to be looked over by an editor was overwhelming. To say that I was nervous and scared was an understatement.
However, the process of applying for these appointments was made incredibly easy and straightforward. Also, throughout the course of the weekend, any mention of my one2ones to any other RNA member was met with encouragement and support.
When it came to the editors, the ladies I met were incredibly friendly, helpful and offered sound, constructive comments when it came to my writing – comments which will be extremely useful to me moving forward.
If you are thinking of attending a future RNA conference, these one2one’s are an amazing chance to meet with publishers and editors. It’s a unique and very worthwhile opportunity.
Laura Parish

Like a virgin: 
At the RNA Conference for the very first time
Question:  What is the difference between a night seeing the Chippendales and a weekend at the RNA Conference in Telford?  The answer is at the end of this blog post, so keep your eyes peeled.
Amanda Ward
 enjoying her first Conference 
It’s a rare occurrence in the past twenty-four years that a chance to be virginal at something crops up.  So naturally I grab at it with both hands. As a first time member and attendee of the conference I was apprehensive and extremely nervous. As it turned out I had no need to be. I was greeted warmly by Kate Jackson, Roger Sanderson (fan moment there) and Jan Jones and after settling in to the cleanest and most comfortable room, I and my mother in law headed off towards the Weston Building.
When asked how I found the conference I immediately said “different” because there in Telford it is a completely different world from the manic life at home. Full of interesting individuals who had a great deal of knowledge to impart, many gushy fan moments meeting and shaking hands with authors I had read over and over again.  I came home buzzing, knackered and with lessons learnt.  To be myself, treat writing as a ‘job’ - and above all WRITE!
As for the answer to the above question.  It’s simple.  After a weekend with this amazingly friendly group of authors, everyone is guaranteed a happy ending!
 Amanda Ward.

Gala evening
Oh what a night!
The gala evening lived up to its usual glam and glitz, the elegantly decorated room graced by equally elegant ladies. There was the smattering of gorgeous high heels (including a particularly wonderful bejewelled, scarlet pair), but it seemed many went for flatter, though still pretty, sandals this year. Not that we had to move far – apart from to the bar – as we were served at the table. This was very welcome after a tiring, if inspiring, day of talks and one-to-ones.

During the meal, the winner of the Elizabeth Goudge Prize was announced. Janice Preston looked thrilled to be the winner of this prestigious award. Also announced was this year’s recipient of the Katie Fforde bursary, Janie Wilson.
My group of revellers was among the last to leave. We wandered back to our flat to continue the party and it was evident that others had done the same. As we passed kitchens, one above the other, they were lively with chatter and laughter. I’m reliably informed by a friend who couldn’t sleep, that some of them went on into the wee small hours!
Francesca Burgess

The winner was...
I had a total of 37 entries for the Elizabeth Goudge competition, all intriguing and so many with excellent ideas on how to transform old fairy tales into something new.  It was very hard to choose!  All entries were based on all the more usual stories except for one which was a new take on HC Anderson's "The Shepherdess and the Chimney Sweep".  This theme obviously fired everyone's imagination which was great!
Winner - Janice Preston with "Rip Tide" (modern take on The Little Mermaid)
Runner-up - Vanessa Savage with "Hush" (modern take on Sleeping Beauty)
Runner-up - Caroline Johnson with "Ash Grey" (modern take on Cinderella)
RNA Chair, Pia Fenton


Sue Moorcroft taking a well deserved break
What a weekend!
I’m still excited about what I learnt during the amazing sessions. I loved every minute of drama, laughs, and friendship. I’m also still recovering from too much wine and not enough sleep. The food was excellent, all home grown and well worth putting up with the overbearing smell from the cattle sheds that occasionally drifted through the venue.
Whilst at the conference, I found myself very lucky to have managed to take part in not one, but three different ‘one on one’ ten minute discussions with Editors.
Each and every one of the editors were lovely, they’d all obviously taken the time to read and digest my opening chapters, along with my synopsis. The feedback that I received was not only invaluable, but crucial to the continuation of my career as an author.
Out of the three editors that I saw, two have requested a full manuscript. As you can imagine, I’m absolutely delighted.  Especially as one of these publishers would be my dream choice. I love everything about them, their attitude, ethics, business sense and most of all their beautiful covers. So, fingers crossed..!
Lynda Stacey
A big smile from Pamela Hartshorne after her talk
Walking towards the first talk I’ve ever given at an RNA conference
As I walked towards the room where I was to give the first talk I’ve ever given at an RNA conference – yes, panic! -  I felt exactly as I’d done when, as a teacher, I was about to give a whole school assembly. It wasn’t the teenagers who’d fill the hall who were a fearful thought: it was my peers - the teachers who lined the walls
Giving a talk to a room full of writers is giving a talk to your peers, and that’s scary!

PS.  I couldn’t have found myself in front of a nicer group of peers.

Liz Harris

Harlequin singles

Write from both your head and your heart. That was the message from Victoria Ounjian and Lucy Glimour, editors for Harlequin singles. In a lively session, I discovered that while Victoria and Lucy might be Margot Fonteyn and James Bond in a parallel universe, they haven’t lost their passion for publishing in this one.
After a quick run round the Harlequin imprints - Mills and Boon, Mira, Carina and Carina Ink (Y.A.) we were assured that they were looking to nurture authors who would appreciate a publishers’ expertise and wanted a global career. Copies of Not Quite Perfect by Annie Lyons lay on the front table, evidence that e-books can go to print.
Victoria and Lucy like fresh voices, great hooks and lots of P.Q.T. Do you know the acronym? I didn’t. It’s for that elusive but vital ingredient: page-turning-quality.
No books by number please, or the re-telling of current trends. Individuality matters, even niche, as long as it might be competitive in the market and has mass appeal.

Finally, Victoria and Lucy left us all with this compelling thought: If a reader has five pounds a week to spend on a book, why should it be yours?

Cathie Hartigan



 'Tea and Tales of Yesterday and Today' part of the RNA author showcase at Wellington Library, Telford

From 1940s to 2014
A time travelling author!
There were two things that tested me this year as I prepared for the RNA’s annual conference.  The first was making a 1940s district nurse’s uniform for the historical authors’ event at Blist's Hill Victorian Village in the Iron Bridge Museum and the second was putting together a talk about plotting and story structure for the conference’s main programme.

After the initial problems of finding a dress pattern of the right design, the uniform and apron took only a day for me to make. The hat was more difficult but thankfully I spotted my daughter’s old St John’s Ambulance hat so pinched that. With my old prefect badge as substitute nursing association insignia and my bag of pre-war nursing equipment and text books I was set for the day. Although I wouldn’t recommend wearing 1940s underwear including stocking, suspenders and full under slip in 23c the event was brilliant fun and attracted a great number of visitors. My second task wasn’t so straightforward.
Despite the fact that teaching is my day-job, preparing to talk about an aspect of writing to group of authors was quite another matter. Firstly, because I had the overwhelming feeling of teaching my grandmother to suck eggs and secondly because the divide between a published and yet-to-be-published author is paper thin. Who was I to teach others how to construct a page-turning story when I’m still learning myself?
However, not one to balk at a challenge and using the plot of Pride and Prejudice to illustrate the points I set about putting the 20 slide PowerPoint presentation together.

I was uncharacteristically nervous as Sunday morning ticked by but once everyone laughed at the first joke I got into my stride. At the end of the talk I received overwhelmingly positive responses from many of the 80 plus people who attended my Keep Control of Your Story.  Would I do it again? You bet ya! But I might consider more user-friendly undergarments the next time around. 
Jean Fullerton
                                                                                                                              
Two dozen went to Blist's Hill
The RNA conference isn't just about seminars in lecture halls.  On Friday morning, while volunteers were making up goody bags up at Harper Adams University, two dozen historical authors went to Blist's Hill Victorian town.  In the glamorous setting of the Goods Shed, we held a "meet the author" event.  To showcase our work we brought not only our books, but also artefacts we've collected, or made, to do with our era.   There was everything from a cardboard Coliseum to printed versions of an alternate history of the United Kingdom.  The display of Georgian prints and antique fans drew a lot of interest from the public, as did the tombola with instant prizes of books, stationery and sweets.

 

Many of us dressed in costume appropriate to the era we write about and we took the opportunity to have a look about the town, too, which was manned by volunteers in period dress.

At lunch time, I wandered past the pub, where the policeman, who'd parked his bicycle outside, was belting out music hall tunes on the piano and spotted a sign hanging in the draper's window that reminded me of my place.  (It reads: Cast off clothing - the lower classes may call after 5 o'clock.)


Christine Burrows
(Writing as Annie Burrows)

Christine with Juliet Greenwood







Kate Johnson and Liesel Schwarz

Lizzie Lane






         
Annie Burrows and Freda Lightfoot













Jenny Barden


My First RNA Conference Talk
 It was a sweltering hot day when I did my talk on Love and Death in Romantic Intrigue.
Actually, the almost tropical weather turned out to be fitting for describing the main plot details of Romancing the Stone, though I wish I had glowed like Kathleen Turner, rather than just having a bright red face. As I said to the attendees, I had hoped to be more sparkling and less wilting.

I was very lucky with my audience, who were very receptive to everything I had to say, and took part with great gusto, despite the heat.  Even the more experienced writers were very receptive, and it made me realise that no matter how long we’ve been doing this, we can all learn something from other writers.
It was a really good weekend, and the icing on the cake was when I was sitting in the foyer and overheard someone behind me talking about my workshop. It was clear they had really engaged with it, so that made my weekend.
Sally Quilford

I came. I saw. I conferenced.
Hazel Gaynor
The Girl Who Came to Conference
Was I nervous? A little. Should I have been? Not at all!
As a first-timer, what did I learn from RNA 2014?
1)      Always help the person sitting beside you on the train with their luggage. It might turn out that they are going to the same conference as you and you might not realise this until you both get off the train and miss the next connection.
2)      You will meet people who are trying to get published, people who are recently published and people who have published 60 novels. There is something to learn from everyone (and Mary Nichols is an inspiration!)
3)      People are incredibly generous when it comes to giving lifts. You will never be left stranded in the middle of Shropshire.
4)      Everyone is very friendly and particularly forthcoming with wine.
5)      Even when your supply of books doesn’t arrive from your publisher, there is much fun to be had in dressing in Edwardian clothing and pottering around a Victorian town.
6)      You can find out an awful lot about someone over a pint of cider in a student union bar

7)      People WILL come along to your talk at 9am on Saturday morning. And they will be lovely and have great questions.

8)      Speaking in front of a fairly full lecture theatre is absolutely fine when you have such a wonderful co-host as Alison Baverstock.

9)      When you see people starting to make their way to dinner, go with them. There will most definitely not be any panna cotta left if you dawdle.

10)  A lecture-theatre full of (mostly) women can move very quickly when the fiction buyer for WH Smith Travel offers to give out his business card. Has anyone seen Matt Bates since?!


11)  What Janet Gover cannot do with audio visual equipment simply isn’t worth knowing.


I thoroughly enjoyed the whole conference – both as a speaker and as an audience-member. I met lots of writers who I’ve only known on Twitter and I met lots of lovely people who I will definitely be tweeting with in future.
Thank you RNA!
Hazel  Gaynor

 Finally

What an amazing event the #RNACONF2014 has been. We'd like to thank all of you who took the time to share your experiences with us - there are far too many to name.
There were people who gave, people who shared, a meeting of old friends, a reassurance for newcomers who might have been feeling a little overawed - I'm sure that disappeared pretty quickly. As always, something for everyone. Roll on London 2015. See you there!
Elaine and Natalie