Saturday, July 1, 2017

Catherine Garbera: Tips and tricks for acing your editor/agent appointment.

Do you have an appointment to speak with an Industry Professionals at the RNA conference? Perhaps you are attending a writing festival and may just bump into an agent or publisher? We welcome Katherine  Garbera to the blog today to show us how to perfect our pitch.

If you don’t have a scheduled pitch appointment learning to speak concisely about your book is still
useful when anyone asks you what you are working on.

Since you only have a limited amount of time think of your story in terms of the high concept and boil it down to one sentence that gives the flavor of what you are writing.

Here are my tips:

1.     Give us a high concept, one sentence blurb about your story.  Leave out the character names unless they are important most of the time editors don’t remember the name.
2.     Tell us who your characters using a few words and tags that create an image.
3.     The story elements, start with the beginning.  Where does your story start?
4.     Then break down the conflict and your plot using goal, motivation and conflict.
5.     Tell us how the plot moves forward in a sentence or two.
6.     Then describe the black moment—again using only a sentence or two.
7.     Finally tell us how the black moment is resolved.

Example from my upcoming Mills & Boon release The Tycoon’s Fiancée Deal:

High Concept, Blurb
A modern retelling of a friends-to-lovers story where the hero has to marry to keep his lecherous boss at bay.

Who is the story about?
Remember not their names because unless your hero is Mr. Darcy, the name is probably not relevant to the editor/agent you are pitching too.

Hero: Bachelor heart surgeon who is good at fixing hearts but not so good at love.
Heroine: Single mom who had the fairytale and isn’t interested in romance.

Where does the story begin?
And it’s okay to say the story opens with or they meet when.

They meet when she is dumping her blind date and he realizes he needs to find a way to convince the hospital board that he’s settled and ready to be chief of surgery.
He needs a fiancée to convince everyone he’s not the arrogant playboy many assume him to be and she wants to stop going on blind-dates but can’t say no to her meddling mother.  He makes her an offer that she should refuse, be his fake fiancée for three months until he gets his promotion.

Goal, Motivation, Conflict
Next talk about the conflict (in genre fiction conflict is the engine that drives your story). You need to do this twice, once for the internal plot and once for the external. 

Goal: What does the character want?
Motivation: Why does the character want it?
Conflict? Why can’t they have it?

External conflict
Hero:
He wants to be chief of surgery at the hospital.
His life is medicine and he knows he can do a great job as chief if he’s just given the chance.
He can’t have it because the head of the selection committee is one of his ex-girlfriends who doesn’t want to admit things are over between them. 

Heroine:
She wants to raise her son and move on from the fall out of her “fairytale” marriage.
She lost pieces of herself when her deceased husband cheated on her and convinced her it was because of who she had become.
She can’t move on because her family are determined she needs a husband to help raise her son.
Both of these characters see their arrangement as a way of getting what they want.  So on the surface the solution of a fake engagement is perfect. But the internal conflict is what is feeding the fire of the story.

Internal conflict:
Hero:
He has always had a crush on her from the time they were teenagers, but she friend zoned him and he let her because he was determined to be the best surgeon he could be.
He has convinced himself that friends are all they will ever be and that by asking her to be his fake fiancée they will continue their friendship.
He learns he’s completely wrong when they share a kiss to seal the deal and sparks of attraction fly between them.

Heroine:
She’s tired of men promising her the moon and delivering nothing.  She likes him because he’s honest about what he wants from her and she tells herself she expects nothing from him.  But he shows her in little ways that who she is matters and the passion between them drives her into his arms but it’s the affection that she sees him showing her and her son that make her start to fall for him.

How does the plot move forward?
They commit to be honest with each other since they are lying to the world and once they become lovers both of them come to realize that they might want this to last.

Black Moment and Resolution
But having been hurt once before by her lover, she is reluctant to trust her heart.  He convinces her that he is trustworthy and is in love with her.

Putting it all together.
The Tycoon’s Fiancée Deal is a fresh take on the friends-to-lovers trope where a playboy, heart surgeon who is good at fixing hearts but not so good at love falls for a single mom who had the fairytale and isn’t interested in romance.
They meet when she is dumping her blind date. He needs a fiancée to convince everyone he’s not the arrogant playboy many assume him to be and she wants to stop going on blind-dates but can’t say no to her meddling mother.  He makes her an offer that she should refuse, be his fake fiancée for three months until he gets his promotion.
He has always had a crush on her from the time they were teenagers, but she friend zoned him and he let her because he was determined to be the best surgeon he could be. He convinced himself that friends are all they will ever be, but learns he’s completely wrong when they share a kiss to seal the deal and sparks of attraction fly between them.
She’s tired of men promising her the moon and not delivering.  He’s honest about what he wants from her and she tells herself she expects nothing from him.  But he shows her in little ways that who she is matters and the passion between them drives her into his arms but it’s the affection that she sees him showing her and her son that make her start to fall for him.
They commit to be honest with each other since they are lying to the world and once they become lovers both of them come to realize that they might want this to last.  But having been hurt once before by her lover, she is reluctant to trust her heart.  He convinces her that he is trustworthy and is in love with her.

About Katherine:
Katherine Garbera is the USA Today bestselling author of more than 90 novels. She has learned to stop saying this sounds crazy but trust me on the page it makes sense when pitching her ideas to editors.  J Her current release is SUMMER IN MANHATTAN from HarperImpluse. 

Links:

 Blog


Thank you, Katherine. We should all now be prepared for the moment we meet an Industry Professional!


If you would like to write for the RNA blog please contact us on elaineeverest@aol.com

Friday, June 30, 2017

Festivals and Workshops: Ways With Words

This month Elaine Roberts interviews Philip John from the Ways With Words Festival. Welcome to the RNA blog Philip.
Can you tell us something about your festival, how it came about and how long its been running?
Ways With Words have been running festivals for twenty-six years. At the beginning of March we


visit Keswick using the fantastic Theatre by the Lake for ten days.  July sees us at Dartington Hall in bucolic South Devon; also a ten day festival of Words and Ideas and finally we have a more intimate five day festival in the Suffolk seaside town of Southwold.

Who are your main speakers this year?
There has been a political vein this year perhaps unsurprisingly with speakers including Nick Clegg, Vince Cable, Harriet Harman, Polly Toynbee and Sayeeda Warsi. We also have Richard Coles appearing as well as Marie-Elsa Bragg and Tracy Chevalier.

As our blog is for writers can you tell me how your festival would benefit our members?
I think the diversity of speakers at the festival is a big draw, I mentioned some of the political figures above as main speakers but we have over one hundred authors at Dartington and Keswick. The speakers are drawn from academics, philosophers, comedians, and historians. One event may explore the history of the human uses of Spider Silk another could be exploring the perils of being a Modern Dad. We broadly deal in non-fiction though there are exceptions to every rule. Salley Vickers is always a popular author at all our festivals. We also have an eclectic range of poetry events and writing workshops.

Is there anything to enter (maybe a writing competition), if so could details be provided?
 For our Words by the Water festival in Keswick (9-18 March 2018) we run the bi-annual Mirehouse Poetry Competition.  Submission dates, and prizes are being confirmed at the moment for 2018. Please check back on our Website or our social media channels for updates on this prestigious poetry prize. The winning poems are read at the famous Mirehouse location.

How about staying over for the whole event. Where can people stay?
In Keswick for Words by the Water there are many reputable B&B spots, close to the Theatre by the Lake, including Lakeside House that is literally a minute from the Theatre and comes highly recommended by many festivalgoers serving great breakfasts and representing the warm friendly nature of Keswick
At Dartington we sell accommodation packages in the historic courtyard at Dartington Hall. We also have B&B available in residential blocks no more than five mins away from the venues on the Dartington Estate.
At Southwold we work with the wonderful Adnams hotels to offer accommodation in their Swan and Crown hotels and we provide a set ticket packages to go with these residential deals.

What does it cost to attend?
We work hard to keep our events affordable and pricing for events is usually around the £10 mark. We have a variety of day tickets that offer great value. We also sell whole festival rover passes for those with the stamina!

Do workshops/talks fill up quickly?
Workshops sell out very quickly. Our audiences have been increasing the last couple of years so yes it pays to book early.

How much time does it take to organise the festival?
Each festival is a little different but in general I would say three months of intensive pre production.

Dates for this year and possibly next?

Dartington Hall, Devon Ways With Words is on 7-17 July
Southwold, Suffolk Literature Festival is 9-13 November
Words by the Water, Keswick is 9-18 March 2018
And back to Dartington Hall from 6-16 July 2018

Website
www.wayswithwords.co.uk

Email for queries
 philip.john@wayswithwords.co.uk (press and customer relations manager)


Thank you for taking the time to talk with us, Phillip and we wish the festival every success.

About Elaine:
Elaine Roberts is a member of the RNA’s New Writers’ Scheme and is currently working on a family saga. She has sold short stories worldwide and enjoys attending RNA events such as the London chapter and our annual conference. Elaine is a great fan of writing retreats either week long by the sea with friends or one-day retreats with fellow writers in her hometown of Dartford. Elaine runs a writing blog along with writer, Francesca Capaldi Burgess called WriteMindWritePlace.



Wednesday, June 28, 2017

Natalie Kleinman: Escape to the Cotswolds


Today Natalie Kleinman talks to Helena Fairfax on the release of her new novel, Escape to the Cotswolds.

Lovely to have you in the spotlight, Natalie!

Natalie: Thank you for inviting me.

Please could you tell us a bit more about yourself, how you got into writing, and your published books?
Strangely enough, I came to writing quite by accident. At a point in my life when I needed something new, something different, I enrolled in a ten week creative writing course. That was about fifteen years ago. I was like a child with a new toy but I decided very quickly that this was not something to play with or at. This was something I was serious about. I joined writing groups and progressed through hobby writing to others where members were as hooked as I was. I can’t stress enough how important I think it is to interact with other writers. Five years ago I was lucky enough to find a creative writing school, The Write Place, only fifteen minutes’ drive from home. No longer stumbling with no-one to guide me, I set about learning my craft, a sponge trying to absorb ever more water. Following publication of more than thirty short stories I turned to novel writing and joined the wonderful RNA New Writers Scheme. My first book, Safe Harbour, was picked up that same year and seven weeks after publication I saw my pocket novel, Honey Bun, on supermarket shelves. It was a heady feeling, I can tell you. That was in 2014. It’s taken another three years but I’m delighted that HQ Digital are publishing Escape to the Cotswolds and I love the cover they’ve put out. It even makes ME want to read it!

Your latest novel is set in a small village in the Cotswolds – the sort of place everyone knows everyone. Is this setting based on your own experience?
Only as a visitor. I’ve spent my life living in the suburbs of our wonderful capital city but I’m a frequent visitor to the area. Its peace and tranquillity (perhaps not so much in the towns during the tourist season) and its beauty draw me back time and again. And everybody smiles! If I could afford a holiday home, that’s where it would be.

Your heroine, Holly, is an artist. Do you have any experience in the art world, and are you good at painting yourself?
It’s funny you should ask me that. About six years ago I joined another council run course, this time art, to support a friend who was going through a bad patch and needed an outlet. I loved it and made more progress than I could possibly have imagined but…the thing is, painting is very time consuming. Writing is very time consuming. One had to go. I still have some of my paintings to remind me though.

Holly takes a trip to Pennsylvania. Is this a part of the US you've visited?
I’ve only ever been to Florida and California. I have Google, Google Maps and Google Earth to thank for providing me with so much information.

Are any of your characters based on anyone you know? (No need to reveal names!)
I think you always put a little bit of yourself into some of your characters but otherwise no, they are entirely fictitious.

How do you pick your characters' names?
This isn’t a question I can sensibly answer. Sometimes a name will just come to me and seem to fit. And sometimes that name continues to fit, but just as often a character will demand a change of identity and you know what, they’re usually right.

What's your favourite romance novel of all time?
I don’t have one. There are far too many to choose from and I do so like a good romance. I suppose it’s usually the one I’m currently reading. I’ve just finished Georgette Heyer’s Frederica for the umpteenth and she would definitely be a contender.

What is your next project?
Another romance set in the Cotswolds but this time actually two romances. It’s a dual time line and I have two heroines. And I love them both. Neither has yet demanded a change of name.

Nowadays authors have to spend almost as much time promoting their books as writing. Have you found this to be the case? Is there any particular promotion/marketing strategy that you think has worked well for you?
I joined Facebook in 2012 and it’s a medium I enjoy very much, both professionally and as a way of communicating with friends. Like many others, I was dragged kicking and screaming into Twitter. There are many of its nuances I don’t understand but I am booked to take a social media course in a few months and in the meantime – and especially of necessity now with promotion of Escape to the Cotswolds – I’m finding I enjoy it more and more.

If you weren't a writer, what would be your ideal career, and why?
I’d probably opt for painting and drawing. Like writing, it’s creative and a great way to express oneself. Unfortunately it’s not easy to make a living that way. But I can picture myself back in the Cotswolds or possibly the beautiful Lake District with my easel set up in the shade of a tree, committing memories of a wonderful landscape to something I can carry home and keep with me forever.

What do you generally do to celebrate on publication day?
Wine. Red wine. By way of a coincidence publication day coincided with classes at The Write Place. It has become a tradition to take cakes when there is something to celebrate. No alcohol because most of us drive to get there but if you’d looked for me on the evening of 21st June that’s where you’d have found me. What better place could there be!

Blurb:
Can love blossom in the countryside?
Artist Holly Hunter is turning her life upside-down! She’s leaving the bright lights of London (and a cheating husband) behind her and hoping for a fresh start as she escapes to the peaceful Cotswolds countryside.

Men are off the cards for Holly. Instead, she’s focusing on her little gallery and adopting an adorable Border Collie puppy named Tubs. Or so she thought…

Because no matter how hard she tries to resist him, local vet Adam Whitney is utterly gorgeous. And in a village as small as this one, Holly can only avoid Adam for so long!





Buy linkAmazon

Social Links:


Thank you so much for interviewing me today. I’ve enjoyed it immensely.

Thanks so much for dropping in on your day off, Natalie :) It's been lovely getting to know a bit more about you. Wishing you all the best with Escape to the Cotswolds.

If you wish to be featured on the RNA blog please contact us on elaineeverest@aol.com

Tuesday, June 27, 2017

Julie Cohen: Mapping the Journey

We are thrilled to have Julie Cohen as our guest today. Pantser or Plotter we can all earn from this informative piece.

When I started out my writing career, I would have considered myself a ‘pantser’: someone who
started writing a story and flew by the seat of her pants as she wrote, not knowing where she was going. I liked to discover the story as I went; part of the pleasure for me was being surprised. The idea of writing a synopsis before I started to actually write the novel would have brought me out in hives. I had some characters, I had a general set-up, I had some vague idea of where I was shooting for…other than that, I just went for it and lived the journey with my characters as it happened.

Somewhere around my eighth novel, things changed. I was writing a story about an artist who was drawing a comic strip that echoed her real life (except with added giant space ants), and I discovered that I couldn’t just make stuff up as I went: I had to plan the events of both stories. I didn’t plan out the whole thing before I started; I just paused, every now and then, as I wrote, to work out what was going to happen a couple of steps down the line.

As the years and the novels have gone by, I’ve become more and more of a planner and less of a pantser. This is partly because my novels are getting more complicated, and maybe also partly because my brain is getting older and less flexible. Now, before I write, I usually make a plan on Post-its for the general story. Sometimes I try to write a synopsis, too.

My latest novel, TOGETHER, is the most complicated one I’ve written yet. It starts in 2016, and goes backwards, following a couple’s life from their 43rd wedding anniversary all the way back to the day they first met in 1962. Because it starts at the ending, I absolutely had to know the ending before I started to write. Because it’s told backwards, I had to plan out each part of the novel in incredible detail, so that everything made sense, and yet no twists were given away beforehand.

It was a novel that was even difficult to talk about. “At the beginning, in 2016, which is actually the end of the story, but you read it first…”

I used to think that planning my story this way would ruin my enjoyment in writing it. Why even bother when you know the ending already? But it doesn’t at all. A neat plan is very different from a living, breathing world of a novel. I still discover plenty about my characters and my story as I write. And there’s a whole different kind of satisfaction in travelling with a map.

From starting out my career as a ‘pantser’, I’ve now gone in the other direction, so much so that today I need to start writing a new novel, but I’m panicking a bit because I only have a plan for the first 25,000 words. 

What I’ve learned above all, though, is that every novel is different. What works for one story, and at one stage in your career, may not work for another story, or another stage. Every novel, whether planned or not, is its own journey.

About Julie
Julie Cohen’s new novel, TOGETHER (Orion), was chosen by the Independent as one of their Ten Best Book Club Books, and her two previous novels, FALLING and WHERE LOVE LIES, were shortlisted for the Romantic Novel Awards. DEAR THING was a Richard and Judy pick. She’s a popular teacher of creative writing and runs her own literary consultancy. She joined the RNA New Writers’ Scheme in 2002 and since then has published twenty-one books. Her website is www.julie-cohen.com and she is on Twitter as @julie_cohen





Thank you Julie!

We are always on the look out for quality articles from our more establishes authors. Please contact the blog on elaineeverest@aol.com