Today I'd like to welcome the Romaniacs, a group of writers who decided to get together and offer each other support and encouragement. They are Vanessa Savage, Debbie White, Lucie Wheeler, Celia Joy Anderson, Catherine Miller, Laura E. James, Sue Fortin, Liz Crump, and Jan Bridgen.
Do tell us what decided you to form a support group
|Clockwise from bottom left: Vanessa and Debbie, Lucie and Celia, Catherine, Laura and Sue, & Liz and Jan|
Most of us met for the first time in November 2011 at the Festival of Romance. As aspiring authors and members of the NWS, we all needed encouragement and a healthy shot of cheer-leading to build our confidence. The friendship element of the group evolved quickly, first as a private Facebook page - after this the more computer savvy amongst us suggested a joint blog to give us momentum. It’s hard to meet face to face as we are spread over the length and breadth of the country (very bad planning - virtual hugs, wine and cake are never quite as good as the real stuff.)
How do you encourage each other as writers?
This is easy to answer. We can best help each other by being honest and open. The girls don’t dish up any Pollyanna feedback! They all tell it like it is. I think this is because we all have different strengths and different skills and feed off each other, and because we’ve grown to know each other so well, we have huge respect for one another. We can say what we think without fear of it being taken the wrong way. Because of this the girls have made me think outside my comfort zone, and I’ve sometimes had to do things I don’t want or like to do. That’s very important as a writer.
How did you hear about the RNA, and has the NWS benefited your career?
|Onwards and upwards|
I found out about the RNA in a roundabout way. At the same time as working on my first manuscript, I read a Sue Moorcroft book which led me onto a writing handbook she had published and to Sue's website. I saw that the RNA was mentioned quite often, and a quick Google of RNA soon took me to the website and through there I found the NWS.
My mother introduced me to the wonderful books of Jill Mansell, the first I read being Good At Games
. At the time, I had an arm in plaster, and related to one of the characters in the story. I enjoyed the book so much, I read it from cover to cover. Towards the back, Jill mentioned she was a member of the RNA. I went online, checked it out, and discovered the NWS. And what a discovery. What a find! Thank you, Jill, for not only entertaining me and tugging at my heartstrings, but for leading me down this most exciting path. The friendship, advice and support of the members is priceless. The RNA is a very generous organisation in terms of help and time. I consider myself extremely fortunate to be a member.
I heard about the RNA on a Caerleon course a few years ago and managed to get on the scheme the following January. The NWS has been a huge benefit. In the time I’ve been a member I’ve served my ‘writing apprenticeship’ and really honed the craft in every aspect; structure, plot, dialogue, etc. I’m embarrassed to look back at old work; how I thought I could write when I started! Of course I’m still learning and perfecting all the time but as a direct result of feedback from the NWS, I entered the first
|Having a giggle|
chapter of my novel in a competition and have an agent waiting to see the finished MS.
How would you describe your own books? Under what genre or sub-genre do they come, and what is its special appeal for you?
I write women’s fiction with a strong element of romance, focus on an issue, and develop the story from there. I like to get into the nitty-gritty of a problem and delve into the psychology behind it, and I enjoy the challenge of turning weaknesses into strengths. It’s the way I tackle life, and it possibly stems from me living with a disability.
I like to think of my own work as gritty, kitchen-sink dramas (remember the angry young men – John Osborne, Alan Sillitoe, Stan Barstow) so definitely women’s fiction/sagas. I love writing about ‘real’ people with ‘real’ issues, the complexity of relationships and what makes people act the way they do.
What do you think is the most essential element of a good novel?
Great characters with all their many varied, weird, and wonderful quirks and emotions that make us all human, people you care enough about to root for, love or loathe, just as long as you FEEL something. Plenty of secrets, conflict and character growth, and I’m hooked.
As The Romaniacs are obsessed with cake, I thought I'd compare a good book with a good muffin. First, it has to be appealing on the eye. If the cover stands out, I'm practically sold. Then the taste has to be good. A good book has to have me in its grip within the first 50 pages. (I know some would say first, but I have to feel involved by page 50.) Of course the texture has to appeal. Paul Hollywood might describe it as a good consistency. Then there needs to be a nice surprise in the middle, preferable gooey chocolate, but equally something gritty will do. By the end I need to feel satisfied as in 'that was yummy, when can I have another?'
Should writers follow the latest hot fashion or write what they love?
Personally, I’d say write what you love, what stirs you and sings to you, as that passion, excitement and strong voice will shine through in your writing.
Have you suffered rejections, and if so, how did you deal with them?
|All glammed up and places to go |
Yes! At first I did NOT deal with rejection very well. I started sending my first novel to agents just after my mum died, when I was probably least prepared for rejection. The first came in – lovely, polite, form rejections, one actually personalized with a couple of suggestions – and I thought it was the end of the world. I think that was the first time the book went away in a drawer. I got the dusty MS out again after joining the NWS, carried out a massive re-write after receiving a hugely helpful report and started submitting again. This time, I found I was getting requests to read the full manuscript, and eventually I signed with a literary agent. Of course, I thought that was it, the end of rejection but… the book didn’t sell. That, I think, was harder than the agent rejections, because it really was the end of the road for my poor book, which, for now, has gone back in the drawer.
The main way I dealt with rejection, though, was to just get on with writing something else. Read the rejection, learn from it if it offered any critique and move on. My latest book is now with my agent and a NWS reader somewhere (eek!) And while I wait, I’m planning my next. Here I go again…
|In the bar!|
It’s horrible the very first time but if the reasoning behind the decision is constructive then you can turn the rejection into a positive. I try to avoid any knee jerk reactions, letting the 'No' settle for a couple of weeks, then going back to it once I've put a bit of distance between it and my feelings. That way I can then be objective about taking on the comments.
also send their regards, and all the Romaniacs would like to thank the RNA for inviting them on the blog.
Thank you for
sparing time to talk to us today. We wish you continuing success
with your writing.
the RNA Blog are carried out by Freda, Henri and Livvie. They are for
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