Showing posts with label Margaret James. Show all posts
Showing posts with label Margaret James. Show all posts

Tuesday, October 7, 2014

Margaret James: Magic Sometimes Happens


Today we welcome Margaret James to the blog.

A couple of years ago, I decided to set myself a challenge. I would write a dual viewpoint novel in the first person and I would write half of it in a foreign language.  

I’m well aware that there are many bi-lingual and indeed multi-lingual novelists in the RNA and, since my challenge was to write half my novel in American English, perhaps it was really no challenge at all? At first, I thought the whole thing would indeed be a doddle. I mean a cinch. Americans say elevator, the British say lift. They say sidewalk, we say pavement. We use a biro, they use a ballpoint. I’d just have to remember a lot of things – I mean a ton of stuff – like that.

Alas, there turned out to be far more to it than merely replacing biros with ballpoints. I’d chosen to make my hero American, so I had to research how American men really speak, in particular 30-something, well-educated, Midwestern American men, because the novel is set partly in Minnesota and the hero comes from Missouri.

Over the years, Amglish has gradually infiltrated Britglish, and we British usually understand Amglish perfectly well. But I still found I had to watch my step, I mean be on the ball, while I was translating my own Britglish into my hero’s Amglish. I find something is a hoot while it cracks him up. I have mates while he has buddies. I arrive while he shows up. I say definitely while he says you bet.

I didn’t want to write in joke Amglish, so my American characters never say whaddya or gonna or woah/whoa. I can’t stand woah/whoa, sorry. It makes me shudder. I mean it creeps me out. As for American expletives – I have to tell you, citizens of the USA, you don’t have nearly enough of them. You have the universal damn, but – if we don’t choose to go fishing in the open sewers of Urban Dictionary – what else can be used in more-or-less civilised society? We British are far more inventive!

I must admit I adore my hero Patrick Riley, whose lovely Midwestern voice I could hear in my head the whole time I was writing the novel. So all I had to do was take celestial dictation. But just once in a while I did get the feeling that when Pat assured me that yeah, American guys of his age did say stuff like that, he might have been having me on. I mean he was kind of kidding me.

Who is Patrick, then? He’s a married father of two small children and professor of IT at a college in Minneapolis. He doesn’t want to be attracted to Rosie Denham, a visiting British PR professional, but...

Pat had a difficult childhood. But he’s worked hard to make something of his life and nowadays he has a great career. Sadly, he also has a wife from purgatory and a best friend from hell. My heroine Rosie Denham is going to help Pat find his personal happy-ever-after, and in return he will help Rosie deal with the issues in her own troubled life.

At the start of the story, neither Pat nor Rosie has the time or inclination to fall in love. But in romantic fiction magic sometimes happens and, since I love magic, I had great fun writing this book. As for challenges – the hero and heroine meet plenty, including some stiff competition for the limelight from Patrick’s gorgeous children, Pat’s sex-addict buddy Ben, Rosie’s great mate Tess, and incidentally a very cute dog.

About Margaret:
I’m a British writer of historical and contemporary fiction. I’m also a journalist working for the UK’s Writing Magazine and I teach creative writing for the London School of Journalism.
I was born in Hereford, but now I live in Devon at the seaside, which is great because it means when I am stuck for a plot I can always go for a walk along the beach and be inspired!


Magic Sometimes Happens (Choc Lit) is available from Amazon as an ebook from October 1st.

Contact:

Thank you for visiting the RNA blog, Margaret and good luck with your book.

The RNA blog is brought to you by Elaine Everest and Natalie Kleinman. If you would like to write an article for the blog or b interviewed about your latest project please contact us on elaineeverest@aol.com



Tuesday, September 3, 2013

What's so funny? - asks Margaret James


I recently made my first foray into romantic comedy with The Wedding Diary and at the moment I am well into my current work-in-progress which is also a romantic comedy, even though it’s much darker this time. 

So I have been thinking (perhaps rather belatedly) about what makes a romantic comedy work and what makes a comedy romantic.

I’ve come up with the following and would love to know what other people think.

  • The set-up/conflict/motivating incident in a rom com can be the opposite of funny.  The hero and heroine usually start off in a bad place.  One or both of them might have been jilted, hurt, sacked, abandoned, have lost something very precious or even have a serious and/or possibly terminal illness.  The reader will want to watch these people walking back to happiness.
  • The secondary characters – for example, best friends, bosses, siblings, parents, wise old grannies – often offer the reader the most laughs.  Manic, man-chasing sisters (like Lydia in Pride and Prejudice), crazy mothers (like Bridget Jones’s in Bridget Jones’s Diary) are so over-the-top they’re hilarious.
  • Who should I marry is usually the big question – the bad (but gorgeous) boy, the good (but dull) boy, the bad (but sexy) girl, the good (but ordinary) girl? The reader will want to see the characters end up with the right people, so can falling in love allow the good boy to become gorgeous and the good girl to become sexy?  Let’s hope so!
  • The hero and heroine need to discover the truth about themselves and about other people. 
  • At the start of the story, the hero and heroine don’t need to have a clue about what they really, really want.  But the reader must know and be hoping they’ll get it.
  • There will need to be a point at which everything goes horribly wrong and it looks as if the hero and heroine have no chance of achieving their happy-ever-after because there are just too many obstacles in their way.
  • The hero and heroine must give each other gifts.  Luxury mansions and diamond rings are lovely, but gifts can also include self-respect, self-confidence, faith in the future, and of course the best gift of all – love. 
Links for Margaret:-

What do you think makes a romantic comedy funny and what makes it romantic?