In honour of of All Hallows' Eve, best selling novelist of The Brytwood Series, Georgia Evans, shares with us her answer to 'Why vampires?'
That’s a question I get asked a good deal, No doubt from people wondering why a mind-manneredgrandmother spends her days writing about the blood sucking undead.
A good question too: What’s the appeal? Why are so many readers (and writers, of course) drawn to vampires?
Speaking for myself, the vampire first chose me, unexpectedly announcing around about chapter five, that he was actually Kit Marlowe, and not dead as had been supposed for 400 years. After that, the undead sucked me in (forgive the pun, it just came out, I couldn’t help it). Whether heroes, heroines or villains, vampires are fun to write and add a layer to the story that mere mortals couldn’t possibly manage.
In the Bloody Series, I wrote the vamps as villains. Of course from their point of view, they are fighting nobly for a cause, aided and abetted by the German High Command. The Others of Brytewood see the whole scheme completely differently and one by one, with a few casualties, deaths and close calls along the way, they eliminate the enemy. As the villains, they had to be eliminated but while they wreaked havoc among the Surrey hills, they added interest and tension to the books. In fact without them and their mission of sabotage and subversion, there wouldn’t have been much of a story.
In my Rosemary Laurey books, my vamps are romantic heroes and heroines. Very different and remarkably odd, if you think about it. Vampires as villains pretty much fits the notion of a bloodsuckers preying on the living but the metamorphosis from horrific figure to romantic hero is an incredible leap. Or is it? He fits many of the parameters of the genre. He’s the ultimate dark and dangerous hero. Messing around with a vampire you are playing with the ultimate risk. He might be good in bed but his kiss could kill. Plus, no matter how desperate your mother might be to see you settled for life, she would not want you bringing a a dead man home for Sunday lunch. Then there is the fantastic sex (although strictly speaking aren’t we skirting around necrophilia here?). On the other hand, by the time a man is a few hundred years old or more, he’s no doubt learned a thing or two and with a vampire’s stamina, he won’t fall asleep afterwards.
Hero or villain, a vampire in the plot makes for wonderful escapist fiction.
That’s a question I get asked a good deal, No doubt from people wondering why a mind-mannered
A good question too: What’s the appeal? Why are so many readers (and writers, of course) drawn to vampires?
Speaking for myself, the vampire first chose me, unexpectedly announcing around about chapter five, that he was actually Kit Marlowe, and not dead as had been supposed for 400 years. After that, the undead sucked me in (forgive the pun, it just came out, I couldn’t help it). Whether heroes, heroines or villains, vampires are fun to write and add a layer to the story that mere mortals couldn’t possibly manage.
In the Bloody Series, I wrote the vamps as villains. Of course from their point of view, they are fighting nobly for a cause, aided and abetted by the German High Command. The Others of Brytewood see the whole scheme completely differently and one by one, with a few casualties, deaths and close calls along the way, they eliminate the enemy. As the villains, they had to be eliminated but while they wreaked havoc among the Surrey hills, they added interest and tension to the books. In fact without them and their mission of sabotage and subversion, there wouldn’t have been much of a story.
In my Rosemary Laurey books, my vamps are romantic heroes and heroines. Very different and remarkably odd, if you think about it. Vampires as villains pretty much fits the notion of a bloodsuckers preying on the living but the metamorphosis from horrific figure to romantic hero is an incredible leap. Or is it? He fits many of the parameters of the genre. He’s the ultimate dark and dangerous hero. Messing around with a vampire you are playing with the ultimate risk. He might be good in bed but his kiss could kill. Plus, no matter how desperate your mother might be to see you settled for life, she would not want you bringing a a dead man home for Sunday lunch. Then there is the fantastic sex (although strictly speaking aren’t we skirting around necrophilia here?). On the other hand, by the time a man is a few hundred years old or more, he’s no doubt learned a thing or two and with a vampire’s stamina, he won’t fall asleep afterwards.
Hero or villain, a vampire in the plot makes for wonderful escapist fiction.
Georgia Evans is the pseudonym she uses for her Fantasy books. She's better known as Rosemary Laurey.
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