Hints and Tips for New Writers #1

When I joined the RNA as a new writer, (after ‘practising’ on and off for donkey’s years), I knew nobody. The famous names were daunting. I had no clue about how to format a ms – not knowing it meant manuscript. People talked of genres, (((shrugs))) and a dénouement was foreign to me (sorry!) Then I joined ROMNA – we didn’t have the RNA Facebook page back then, or these weird things called blogs – or vlogs – or authors talking about their work on YouTube (as far as I recall). Nor did I want to look a fool and ask daft questions EVERYBODY knew the answer to – or so I thought.

I then joined ROMNA and became a serial lurker. Gleaning information and gaining invaluable awareness of the writing world. Sometimes I even knew the answer to a query and posted it – and was taken seriously. I know, who’d have thought it?

Then one day, I was in my writing room staring out of the window, daydreaming – a lifelong habit, I cannot lie, and wondered at the knowledge I had gained over the years regarding this business we call writing. I realised I could not have been the only new writer who did not know it all, and decided others might feel the same. So as this New Year begins, and new writers join us, here are some hints and tips that might be of help or interest… 

1) Write some pages in longhand from the book of your favourite author. This helps get you started.

2) Writers are readers first.

3) Welcome criticism. Seek it out at every opportunity.

4) Try not to get upset if you think the criticism is harsh, don’t be offended – even if you think it’s wrong. And always thank those who take the time to offer it. You never know when you might need to ask their advice again.

5) Right click on a word to use the thesaurus. Do it again on the new word, and make the best use of your vocabulary.

6) After editing the work on screen or in print, read the text aloud; awkward sentences or errors that sneak through earlier edits show up readily when reading out loud. Or use Word’s Speech feature and have the computer read it back. This allows you to catch errors you have missed – especially missing words or words that ’sort of sound the same’ but are spelled differently (e.g. Front me instead of ‘From me’).

7) Write as if you’re on deadline and have 500 words to make your point. Then do it again. And again.

8) Download a memo app or voice recorder on your phone – invaluable for when you have that great idea and can’t find a pen or paper.

9) After starting her fourth book last year, bestselling saga writer, Mary Wood, keeps right on to the end of the road to get the first draft done in 5-6 weeks (and breathe). So, reading and editing what she did the day before is not for her. However, something that she is unsure of could send her off track as she tries to find the details she needs. A killer when she aims for 5000 words a day. So, she came up with this little trick.  “I write with tracker on, so when I am not sure of anything, I write what I think it is – then create a comment. In the box I write what is concerning me and I need to check, and then go forward, knowing that I can easily track something in my polishing up and check it out. Before I used this method, I would probably have cut my wordage to around 2000 words a day as I stopped writing to trawl the Internet looking for facts.”  

Thank you, Mary! I am sure your tip will be of immense help to some of our new writers.

                                              And last, but by no means least:

10) If there is something you don’t know, or you’re not sure of – ASK SOMEONE WHO DOES! The RNA usually know something or someone who can help you. And remember, no question is ever wasted!

N.B. If you have a favourite hint or tip, don’t keep it to yourself, send it to me at releases@romanticnovelistsassociation.org and I will share it with reference to you on next month’s blog.

Happy writing, lovelies.

Sheila Riley

Sheila joined the RNA in 2004 as a new writer. Since then she has written best-selling sagas as Annie Groves. She's a member of the North West Chapter of the RNA and loves to catch up with writer friends at the regular Southport lunches.

*****

Mary Wood's latest book, Brighter Days Ahead, is available now.

Brighter Days Ahead is a moving story set against the backdrop of the Second World War, from Mary Wood, author of In Their Mother’s Footsteps.

War pulled them apart, but can it bring them back together?

Molly lives with her repugnant father, who has betrayed her many times.

From a young age, living on the streets of London’s East End, she has seen the harsh realities of life...

When she’s kidnapped by a gang and forced into their underworld, her future seems bleak.

Flo spent her early years in an orphanage and is about to turn her hand to teacher training. 

When a kindly teacher at her school approaches her about a job at Bletchley Park, it could be everything she never knew she wanted.

Will the girls' friendship be enough to weather the hard times ahead?

Clare Harvey: The English Agent

Elaine Everest interviews Clare Harvey about her latest book.

I was delighted to be able to interview Clare Harvey for the RNA blog. Being present earlier this year when Clare won the Joan Hessayon Award for New Writers, and having enjoyed her book The Gunner Girl, I was delighted to be able to read The English Agent. I can honestly say it is an excellent read that had me hooked from the first page.

 I asked Clare a few questions about her writing life.

Welcome Clare. Can you tell us something about your life and how you came to be a writer?

Hi, thank you for having me on the blog! I have three school-aged children - my son is 14 and the

girls (twins) are 11. One of the girls has cerebral palsy – brain damage that affects her balance and muscle control – but we’re fortunate in that it’s quite mild, so she’s able to go to the same school as the other two. We live in Nottingham, but we also have a houseboat in Buckinghamshire, which is my husband’s crash pad – he works in North London four days a week. My father-in-law has just moved into the annexe in the back garden, and we also have a German Shepherd dog, so it’s busy at home, but luckily there’s time to work during school hours (and sometimes at night, if deadlines are pressing…).

I came quite late to writing. Of course I loved reading and creative writing at school, but being an author always seemed terribly glamorous and out-of-reach, something that other people do, a bit like being a film star or a polar explorer. Then, after I’d been post-university travelling in the 90s, I picked up a job as a nanny to the author Betsy Tobin. She became a bit of a role model, because she was a mum, and she wrote, and she was a REAL (and also very nice) person. So I suppose my contact with her planted the seed that I could perhaps become an author one day myself.

I began writing my first novel when I was on maternity leave with my son in 2002. In between starting writing and getting published (in 2015), I had three children, moved house five times (two different towns in the UK, two different towns in Germany and also Kathmandu in Nepal – my husband was in the army so we were constantly being relocated with his job) and wrote four full-length novels, as well as starting a handful of others. I also took an MA in creative writing. Learning the craft of writing was a very long apprenticeship for me!

Your wonderful novel won the RNA’s Joan Hessayon Award earlier this year.  What gave you the idea for the story?

 The inspiration for The Gunner Girl was my mother-in-law, who served with the Auxiliary Territorial Service (ATS) in WW2. I never met her, because sadly she passed away before I got together with my husband. My father-in-law also served in the army, and one day my husband said, “Of course the joke was, growing up, that Mum had seen more enemy action than Dad.” When I asked what he meant, he said his mother had been on the anti-aircraft guns in London during the war, but his father, who was a couple of years younger, hadn’t joined up until after the hostilities were over. I had no idea that women were on active service in wartime, and I wanted to find out more. However, my husband said there was nobody from his mother’s side of the family to ask. He said there were no grandparents, aunties, uncles or cousins from his mother’s side – or at least, he’d never met any.

So, I had this fascination with the idea of women soldiers in WW2, combined with the mystery of how someone could ‘lose’ their background like that. I wondered why a teenage girl would begin an entirely new life when she joined the army? Had she lost her family or chosen to leave them behind? What part had the war played in her circumstances and her choices? Those questions catalysed the creation of the main character in The Gunner Girl, and the rest of the book grew organically from that starting point .

Will you always write historical novels or do you yearn to write another genre?

I wouldn’t say I yearn to write another genre, but I’m certainly open to it. The Gunner Girl was actually the first historical novel I’d written (the other three unpublished books are contemporary stories about women soldiers). Although The English Agent (out now in hardback) and my third – as yet untitled – book are also based in WW2, I certainly wouldn’t rule out returning to something contemporary, or perhaps a time-slip story. I also quite fancy doing something like historical crime – but there are so many excellent crime writers out there, that I’m not quite sure I’m brave enough to give it a go until I’m a little more experienced.

Do you enjoy the research for your novels?

I love the research. I trawl Amazon for obscure wartime memoirs and biographies, and YouTube for old Pathe news clips. The Imperial War Museum has some great online sound archives, and there are wonderful WW2 images to be found just a Google-click away. Hurrah for the Internet! I’m also a big fan of ‘optical research’. The English Agent is set in Paris and London, so I had a few days wandering round Paris, scouting locations, and a very long day-trip to London, again just walking around, seeing where things were. Going to the places you’re writing about makes you realise the story in practical terms (how long would it take a character to walk across Hyde Park, for example, or whether your character would be able to see the horizon from her apartment window) – but also going to an actual place engages all five senses, and knowing how somewhere smells, or the sound your feet make on the floor there, can really help make a location feel real when you’re writing about it.

Do you have a few tips for our newer members?

I bet everyone says this, but DON’T GIVE UP. I went through the RNA’s New Writer’s Scheme three times before I wrote anything good enough to be published, and it took me thirteen years…I hang on to that Samuel Beckett quote: "Ever tried. Ever failed. No matter. Try Again. Fail again. Fail better."

Please tell us more about your latest book.

The English Agent (Simon & Schuster) is out now in hardback. I felt that one of the characters in The Gunner Girl had a story that wasn’t quite finished. I decided to send her off to wartime France with the Secret Operations Executive (SOE) because I was fascinated by the real life stories of the very brave young women who took on such dangerous work behind enemy lines.

I wrote The English Agent in a wild combination of panic and excitement, because I was so worried that I wouldn’t be able to write a book in less than a year, but also thrilled to be able to throw myself into an enthralling new storyline. In retrospect my panic-excitement was probably the perfect state of mind for a novel about undercover agents in Occupied Paris!

What comes next for author, Clare Harvey?

I’m extremely fortunate that Simon & Schuster has signed me up for another two-book deal, so I’m working on my third novel at the moment. I do realise how lucky I am to get paid for doing a job I love, so I don’t have any grand plans, I just want to be able to keep on writing books for as long as I can.

Links:

Amazon author page

Facebook: clareharvey13

Twitter: @ClareHarveyauth

Website

                                                        The English Agent

How far will two women go to survive a war?

Having suffered a traumatic experience in the Blitz, Edie feels utterly disillusioned with life in wartime London. The chance to work with the Secret Operations Executive (SOE) helping the resistance in Paris offers a fresh start. Codenamed ‘Yvette’, she’s parachuted into France and met by the two other members of her SOE cell. Who can she trust?

Back in London, Vera desperately needs to be made a UK citizen to erase the secrets of her past. Working at the foreign office in charge of agents presents an opportunity for blackmail. But when she loses contact with one agent in the field, codenamed Yvette, her loyalties are torn.

Thank you Clare. We look forward to your next book.

If you would like to be interviewed for the RNA blog please contact us on elaineeverest@aol.com