We welcome back Helena Fairfax with the second in her series of interviews
with prominent literary agents.
A few weeks ago I attended talk by Andrew Lownie at the Ilkley
Literature Festival on the subject of ‘How to Pitch to an Agent.’ You can find
details of Andrew Lownie’s excellent and informative talk in my write-up on
my blog. Andrew Lownie represents
non-fiction at the Andrew Lownie Agency. Afterwards I approached David
Haviland, who represents fiction at the agency, and was delighted when he
agreed to be interviewed for the RNA.
Thanks for dropping in, David. Please tell us a little about the Andrew
Lownie Literary Agency, how long you’ve been with the agency, and how you came
to join.
I’ve been a literary agent for almost three years
now. Before that I was an author, editor and ghostwriter, producing books for big
publishers such as Harper Collins, Penguin, and Little Brown. Andrew Lownie was
my agent, and as I became more involved in developing projects within the
agency, it felt like a natural move to become an agent myself. The agency
comprises just the two of us, with Andrew handling all the non-fiction, while I
handle the fiction. Andrew has been the top-selling agent in the world for each
of the last four years, and shortlisted for ‘Agent of the Year’ at the British
Bookseller Awards for the last three years running, while I haven’t.
What do enjoy most about your job? And least?
The most exciting thing is discovering a brilliant
new author in the slush pile, getting further into their manuscript, and
finding that it really delivers right to the end. Even selling the book isn’t
nearly as much fun as that moment of discovery. And what do I enjoy least?
Going through contracts is pretty tedious (but important).
What is it you are looking for when a manuscript lands on your desk? Are
there any specific plots or themes you’d like to see?
I cover all genres of adult fiction, so I’m not
looking for any particular plot, theme or genre. Instead, I’m looking for
storytelling skill. Writing a novel is more of a technical craft than many
people imagine, and while most rules can be broken, they can rarely be broken
successfully by someone who isn’t already intimately familiar with them. If a
writer hasn’t thought carefully about things like tenses, character
perspective, and psychic distance (regardless of whether or not they use this
particular jargon), it’s usually going to be obvious on the first page, and not
in a good way.
Where do you find your new authors, and how?
Most of my authors are debut novelists, who’ve come
from the slush pile. I’m also lucky to be part of a major, well-established
literary agency, which means authors also come through recommendations and
Andrew’s huge network of contacts.
What advice would you give someone submitting to you?
Don’t rush to submit. Instead, take the time to
edit and improve the work, over and over again, until your worst enemy couldn’t
find a flaw. In the current market, publishers are extremely cautious,
particularly when it comes to debut authors, which means that we as agents have
to be just as picky. Too often, I’m sent half-decent novels by writers who have
obvious talent, but have submitted too soon. In those cases, all I can do is
pass.
What benefits do you feel an agent can offer an author?
It is possible to find success as an author through
self-publishing, but very rare. For everyone else, an agent is crucial. An
agent will develop the book, provide expert advice, reach publishers, improve
terms and contracts, develop additional options such as translation, audio,
film and television, and much more. I receive lots of submissions from authors
who have self-published quite successfully, but who nonetheless recognise that
working with an agent can open up many more opportunities.
Romance is the biggest-selling genre in publishing, and yet the one
taken least seriously by the mainstream. Why do you think this is? And how do
you think romance authors can address the negative perception?
I’ve always felt that there is an unhealthy
snobbery towards genre writing, not just within publishing but within our
culture as a whole. On the other hand, the popularity of romance with readers
means there are bound to be more second-rate romance novels, purely because so
many are produced. My advice to romance writers is to focus on the theme, and
the characters’ emotional journeys, not just the plot. A common flaw in romance
novels is that the plot twists and turns as it should, with obstacles and
break-ups, but this is achieved through coincidences and confusion, rather than
meaningful conflict between the characters. What is the real friction between
the couple, that means they may not be able to make the relationship work?
What’s your favourite romance novel of all time?
The Remains of the Day.
Apart from your own authors, which book have you enjoyed most in the
past twelve months, and why?
My reading is quite eclectic; in recent months I’ve
particular enjoyed Blake Morrison’s The Last Weekend, Jesse Armstrong’s Love,
Sex and Other Foreign Policy Goals, and Being Mortal by Atul Gawande.
What do you like to do in your spare time?
I’ve become a pretty obsessive runner. Running is
quite an odd hobby, in that people who aren’t into it think you must be quite
mad, which isn’t really true of, say, tennis.
If you could describe your working-day in just three words, what would
they be?
Varied, challenging, rewarding, innumerate.
Thanks so much for your thoughtful answers, David. I particularly
enjoyed your point about the importance of focusing on the emotional conflict
in romance writing – something my reader in the RNA’s New Writers’ Scheme
taught me very well!
Links:
Andrew
Lownie Literary Agency
David
Haviland Twitter
If you’ve enjoyed David’s interview, or have any questions or comments
at all, please let us know. We’d love to hear from you.
Helena Fairfax writes contemporary romance novels. Her latest release is a romantic suspense novella called Palace of Deception.
You can find out more on Helena’s website www.helenafairfax.com
Another great interview, Helena, thank you!
The RNA blog is brought to you by,
Elaine
Everest & Natalie Kleinman
Would you like to write for the RNA blog? Please contact us on
elaineeverest@aol.com
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