THE CHALLENGES OF WRITING IN ANOTHER SUB-GENRE

We welcome Henriette Gyland who tells about her move from contemporary fiction to historical and back...

Nobody decides to write a historical novel without having a love of history, and it was that love which prompted me to write The Highwayman’s Daughter, after having previously published two contemporary novels. Despite my enthusiasm, the shift from contemporary suspense to historical adventure was not without its fair share of challenges, mainly due to the amount of research involved. The things we take for granted in our contemporary society just… weren’t there.

There was no central heating, no supermarkets, no NHS, no flushing loos. You could’t pop out for a Starbucks, watch the game on TV, or travel from London to Bath in under two hours, and neither can your characters. Yet they still need warmth, food, sanitation, health care, entertainment etc. because people are essentially the same whatever world they inhabit.

 

First, the setting. Hounslow Heath, a dark and desolate place with the occasional gibbet displaying the decaying remains of some unfortunate person hanged at Tyburn, and notorious for the number of hold-ups taking place there. Yet this pot-holed track was the only road from London to fashionable Bath. Today very little is left of the Heath, with a large part of it buried underneath one of the Heathrow runways (hence the name).

The action takes place in 1768 in the town of Hounslow and surrounding area. Today Hounslow is a part of London, but in 1768 it was a village several miles out and the first coaching stop on the journey to Bath. I found myself poring over old maps, researching into road (and weather) conditions, finding out more about coaching inns and coach travel in general, as well as the town itself which at the height of the coaching era sometimes had more horses in it than people!

Then there were the buildings mentioned in the novel, one of which was Newgate Prison in London. The prison appears in a number of novels by Charles Dickens, but that was no real help because this was a rebuild of an older prison that burned down in 1780 during the Gordon Riots. I turned to Peter Ackroyd’s Biography of London for information on the earlier one.

For the clothes people wore, and how they lived, a trip to the Victoria & Albert Museum proved incredibly useful, and ditto several visits to John Soane’s house on Lincoln’s Inn Fields, and the Museum of London. The food people ate was another real challenge, but I managed to track down some Georgian recipes and even try out one or two!

As for sanitation and the health of the population, one doesn’t have to travel very far back in time to discover how, more often than not, people died from complaints and illnesses which are curable today, at least in the western world. My son was astounded when I explained that the Spanish flu in 1918 claimed more lives than the whole of WW1 put together. (“You can die from flu?!”)

These were just some of the challenges involved.

Finally, regarding my career as an author, there is always a risk when switching from one genre to another that you may lose some of your readers, but I hope there’s enough mystery and suspense in The Highwayman’s Daughter to keep the fans interested. Sometimes you just have to go where the story takes you, and perhaps it will reassure those readers that I intend to continue to write both types of books!

The Highwayman's Daughter:

Is it a crime to steal a heart?

Hounslow, 1768. Jack Blythe, heir to the Earl of Lampton, is a man with great expectations. So when his carriage is held up by a masked woman, brandishing a pistol and dressed as a gentleman of the road, he wholly expects to have his purse stolen. And when he senses something strangely familiar about the lovely little bandit, Jack also expects to win his cousin’s wager by tracking her down first.

But as Jack and the highwaywoman enter into a swashbuckling game of cat and mouse, uncovering an intricate web of fiercely guarded family secrets, the last thing Jack expects to have stolen is his heart.

Henriette grew up in Denmark but moved to England after graduating from university. She has worked as a translator for 22 years and spent 3 of those translating novels for Mills & Boon.

 She started writing 15 years ago, just for fun, and her third novel, “The Highwayman’s Daughter”, a historical adventure, will be published by Choc Lit on the 7^th May 2014.

Twitter: @henrigyland

Facebook: https://www.facebook.com/henriette.gyland

Website: http://henriettegyland.wordpress.com/

Thank you, Henriette, 

If you have an idea for a craft article or a book about to be released please contact us on elaineeverest@aol.com

CHATTING WITH: Tanith Davenport

Welcome to the blog, Tanith

What gave you the idea for your book and how long did it take you to write?

I originally planned out “Photograph” several years ago, having watched a programme on women in the military, but it took on new life after reading a quote from an Isaac Asimov essay referring to a colleague of his who had got published in a journal that never accepted science fiction. The concept of someone else succeeding in doing something you had always dreamed of but never dared to try struck a chord with me and inspired my heroine Tara.

If there was a soundtrack to accompany your book what five songs or pieces of music would you choose and why?

1.      “Photograph” – Def Leppard. This is the song which inspired the title, as it’s written from the POV of a man pining after an unattainable celebrity.

2.      “Break Me Shake Me” – Savage Garden. I had this song in my head when writing the  first sex scene between Tara

3.      “Be Mine!” – Robyn. The yearning expressed in this song makes me think of Tara’s longing for Liam.

4.      “What Can I Do” – The Corrs. Again this applies to Tara and Liam, but also Ryan’s thoughts about Tara.

5.      “Apple Eyes” – Swoop. Ever since I first heard this song I imagined it playing when Tara sees Azure and Liam first approaching the yacht in the tender.

How do you fit your writing around your home life?

I have a day job and a husband who also uses the computer, so generally I do a lot of planning while watching TV and then spend an hour a day typing madly.

Do you enjoy research?

I love research. It’s one of the most interesting parts of being a writer – as well as the deep research you do for background, you never know what you’ll need to Google at any one point. I have one friend, a doctor, who has been asked all sorts of bizarre questions.

If your book was turned into a film who would you like to play the main characters?

Sara Paxton. She’s one of my favourite actresses – I think she would be able to capture all the facets of Tara’s personality.

Author Biog:
I have been writing for ten years and first got into erotic romance through the Romantic Novelists' Association New Writer's Scheme; they critiqued my debut novel "The Hand He Dealt", which was published in June 2011 and was nominated for the Joan Hessayon Award.

I live in Yorkshire with my husband and two bratty tuxedo cats. When I'm not writing I spend my time watching horror movies, listening to rock music, travelling to new places and trying out new restaurants.

http://tanithdavenport.com

https://www.totallybound.com/photograph

Thank you for visiting with us today,Tanith.

Blog posts are brought to you by Elaine Everest and Natalie Kleinman.

If you wish to have a book featured or contribute a craft item please contact us on: elaineeverest@aol.com

BEHIND THE SCENES AT THE RNA CONFERENCE

With our annual Conference fast approaching we’ve invited Jan Jones along to tell us about the hard work that goes on behind the scenes that makes our weekend so enjoyable.

Welcome Jan. How do you source venues and how far ahead do you have to book?

We like to venue hop around the country to keep travelling distances fair for our different regional members. We start by identifying a couple of regions that we'd like to look at next, then we go to the Academic Venue Show in May to talk to the University Conference departments in the relevant areas. If we find any places suitable to our requirements, we go on a site visit to see what they are like in the flesh (so to speak). It would be impossible to commit to a site without actually having been there - sometimes several times - to walk the routes, check out the facilities, meet the conference liaison team, taste the food etc. We do the best we can to keep the conference affordable for our members, many of whom do not make a vast amount from their writing. I wouldn't dream of asking them to commit a substantial sum of money to a venue where I hadn't personally checked that everything was as good as it could be.

How many helpers do you have leading up to the event?

Previously, Roger Sanderson and I have done everything. We still visit the venues, liaise with the conference departments there and look after the delegate management. Jenny Barden now organises the programme and coordinates the whole conference and Elaine Everest will deal with the industry appointments.

Do speakers volunteer or do you have to approach them?

A mixture of both. In general they volunteer. Often they are asked.

We've had some fab goody bags in the past. How do you source the content?

We don't! Apart from asking any publishers taking part in the conference if they have any books to spare, we put out a general call - and are then inundated with material. A very satisfactory arrangement. I bring the items up in my car and then the Friday morning of the conference is spent dragooning everyone within range into a vast assembly line filling the bags.

Are you any good at delegating or do you take too much upon yourself?

I'm hopeless. Jenny Barden is far better.

Food is an important part of any conference. How do you deal with that aspect? We loved the choice for the Gala Dinner last year.

We try the food on the site visits, discuss menus with the conference department (if possible - sometimes the only options are "chef's choice"), and choose the gala dinner menu from what is offered to us.

After initial planning when does it become a full on job?

It is an ongoing process - sometimes an hour or two a day, sometimes an intense burst of activity for a week or two. It gets very fraught at the end of May when the conference packs are being assembled, and then afterwards when people's choices of sessions come in. Certainly in the two or three weeks before the conference itself I don't get any writing of my own done.

Do you book a holiday after the conference to recover?

No. I write.

If anyone wishes to volunteer either before the event or during the weekend of the conference can they contact you?

Yes, please!

Where are we in 2015?

Next year's conference takes place at Queen Mary, University of London, on the Mile End Road in London. It is a compact site alongside the Regent's Canal, two stops down the Central Line from Liverpool Street Station. The dates are 10th-12th July 2015.

Thank you, Jan.

Find details here on how to book your place on this year’s conference at Harper Adams University, Newport, Shropshire. 11^th – 13^th July.

This was brought to you by the blogging team of Elaine Everest and Natalie Kleinman. If you would like to contribute an article to this blog contact us on elaineeverest@aol.com

Happy Graduation!

This month Nikki Moore shares her journey through the New Writers' Scheme to Graduation and Publication

On 24^th April my dreams came true … My debut novel Crazy, Undercover, Love was published by the fantastic Harper Impulse (digital first romance imprint of Harper Collins) as an ebook, with paperback following in June.

Publication was exciting, scary and satisfying. A lot of hard work, angst and energy has gone into getting here. So how did I do it? Well, apart from supportive friends and family, very patient children, learning my craft and reading a lot,  I can thank the Romantic Novelists Association's (RNA) New Writers' Scheme (NWS).

The NWS is a probationary membership where for an annual fee you get to attend events including meetings, parties and the conference (fees apply) and can be part of the friendly, informative cyber-chapter ROMNA where you can chat to/get advice from/share news with other authors. Most importantly, at least in my view, you can submit a manuscript to be anonymously read and critiqued by a full member of the RNA. 

I was lucky enough to join the NWS in 2010 and the last four years have been amazing. I've attended RNA conferences including going to unbelievably helpful workshops and nerve-racking but positive one to one appointment with editors. I've drunk wine at and reported on the Winter and Summer parties for the RNA magazine, Romance Matters, I've received support and guidance from some fabulous, lovely authors (some of them household names) and had the confidence to take part in a workshop with our Vice-Chair Sue Moorcroft at the Festival of Romance. Crucially, I've submitted manuscripts to the NWS every year - two different books, each of them twice - and received bracingly honest but effective critiques in return.

It's always hard when someone points out that your baby isn't quite as beautiful as you'd hoped :)  but every NWS report has been clear, helpful and constructive and both manuscripts have undergone rewrites as a result … and it has made them much better books.

I will be honest. It was not always easy. In fact it was pretty painful, de-constructing stories I knew, loved and utterly believed in and then putting them back together again. I didn't always agree with everything the readers said, so I used my instincts and some of the suggested changes weren't made. And sometimes it felt like the rewrites were going on forever but I got my head down and pushed through … and some of the things my editor loved about Crazy, Undercover, Love when I pitched it to her at the RNA Conference 2013 was down to NWS feedback - which is why I've just sent thank you cards out to my NWS readers via the tireless scheme organiser Melanie :)

So, where am I now? Well, I've just graduated from NWS member to full RNA member and I'm working on my next book for Harper Impulse. So if you're out there, an aspiring author, and you're wondering if it's ever going to happen for you, make it happen. Join the RNA New Writers Scheme at the end of this year. And be part of our gang.

Amazon UK: Crazy, Undercover, Love

Harper Impulse: Crazy, Undercover, Love

Thank you for sharing your journey, Nikki

This blog is brought to you by the blogging team of Elaine Everest and Natalie Kleinman. If you would like to feature your RNA Chapter, promote a book or write a craft feature please contact us on elaineeverest@aol.com

Lin Treadgold going Dutch

Lin Treadgold was born in Saltburn by the Sea, on the east coast of England. She a member of the Romantic Novelists' Association and The Society of Authors. In 2001 she moved to The Netherlands. Her romance novel, 'Goodbye, Henrietta Street' was launched on 1st July 2013.

‘Goodbye, Henrietta Street’, is a poignant romance novel based on the Isles of Scilly and Yorkshire. Pippa Lambton leaves home for the beautiful Isles of Scilly, for a chance to rediscover herself. She meets Norwegian, Sven Jorgensen. Is this the eternal nature holiday or just a passing wave on the beach?

What gave you the idea for your book and how long did it take to write?

A place to which I have always returned are The Isles of Scilly in Cornwall. Its very special to me and fulfils all those dreams of paradise and warm conversation. Life is caring and provides an appreciation of all the things we take for granted on the mainland and the wildlife is a pleasure to watch with puffins, seals, and wonderful flowers.   

I wanted to provide the rest of the world with information about this lovely part of the UK, through a romance novel and I wrote Goodbye, Henrietta Street with my heart in the writing.

I went to Scilly with a friend who had cancer and he encouraged me to write the book. ‘You never know until you try.’ he’d said.  ‘Life is too short.’ Six months later he passed away. It was his words that made me want to see it through. 

How did you find your publisher?

I made twenty or so submissions and was accepted by two publishers but I turned them down, as their contracts were not to my needs.  I eventually found Safkhet Publishing who offered me everything I required for a first novel and I accepted their offer.

When did you decide to become a writer and how did you start this new part of your life?

I have always loved writing stories but I never got around to being serious about it until I moved to Holland. I opened a journal on my daily routine in early 2001.  After reading through the proposed book, written in longhand, I started to type it out on the computer.  I searched for a creative writing tutor. Jacqui Lofthouse who gave me all the right information on how to write and what to look for. http://thewritingcoach.co.uk/ . I had previously undertaken a creative writing course with Leeds University in the late 1980’s so I was able to get out my notes and start the whole process again.

What is next in your writing life?

Try to stop me writing and it would be like having my teeth pulled.  No sooner had I launched my first novel, I wrote the second one. To quote my editor at Cornerstones Literary Consultancy,‘The Tanglewood Affair’ has all the ingredients of a gripping and absorbing novel: an array of colourful and interesting characters, an unusual setting, sinister goings-on and a central love story. It makes for a really engaging read.’ I hope very soon it will be ready for submission. I am now making the final changes to the text.

To have a consultant and bounce ideas is worth a lot to me, providing me with a very professional report. I also have Sue Moorcroft to thank for her input. It is up to the author to set up a presence with book signings and so on and build a rapport with readers. My previous life experiences showed me how to do this. 

The third novel has the first seven chapters written with a working title of Harold, The Good Soldier.  The story is very real and poignant inspired by original World War II letters from a prison camp in Italy.  So watch this space. I enjoy working on two books at the same time.  I also have a novella in progress.

Website: www.itslinhere.wordpress.com

Safkhet Publishing: Goodbye, Henrietta Street

Amazon.co.uk: Goodbye, Henrietta Street

Thank you for joining us today, Lin.

Brought to you by the blogging team of Elaine Everest and Natalie Kleinman

If you wish to be featured on the RNA blog or would like to submit a craft article please contact us on elaineeverest@aol.com

FOCUS ON: Oxford Chapter

This month we welcome Liz Harris, Convenor of the Oxford Chapter who tells us about their Retreat Day.

The members of the RNA Oxford Chapter chose to locate their Writers’ Retreat Day in the pub (now stop that sniggering!) where they meet monthly for the Ox Lunch. The central nature of The Victoria Arms, Old Marston, with its large car park, made that the ideal venue for the Ox lunchers, some of whom come from as far as Gloucestershire.

The planned day comprised talks and discussions, punctuated by tea and coffee and a pre-arranged buffet lunch. The subject of each of the three talks had been chosen by the members.

The first was entitled Promoting One's Novel and the Social Media. Writing a novel is just the start; the next, very important stage is selling that novel, and the members, both traditionally published and self-published, were keen for guidance about how best to do this.

Illustrating her informative talk with images flashed on to the screen, RNA PR officer, Maggi Fox, covered the traditional forms of book promotion, indicating the key points that should be observed. After Maggi, Janet Gover took everyone through aspects of blogging and statistical analysis in a talk that gave the listeners plenty to think about. There is a wealth of information to be obtained from google statistics, and members were encouraged to use it to the full. Finally, Liz Harris drew attention to the advantages of accessing twitter through an engine such as tweetdeck, pointing out that the time spent morning and evening on the social media can be seen as the equivalent of driving to and from work.

After a buffet lunch, experienced blurb-writer, Anselm Audley, took the group through the key points of writing a blurb for one's novel. It was a very useful talk, dealing as it did with a subject of great importance to those both traditionally published and self-published.

This was followed by a most entertaining and informative final session: multi-published author, Anita Burgh, spoke about the publishing industry as it used to be, illustrating her talk with many an amusing anecdote. When Anita had finished her talk, Catherine Jones took over, speaking about the realities of publishing today, a topic which stimulated much discussion.

By the end of the day we were all only a teeny bit older, but we were a great deal wiser and better informed about aspects that relating to our own writing, as well as to the publishing industry today.

The Oxford Chapter finished the day by expressing their gratitude to the RNA committee, for helping to make such an enjoyable, informative day possible.

 

For details of the Oxford Chapter meetings please contact Liz Harris: lizharriswatlington@yahoo.co.uk

Thank you, Liz.

This blog is brought to you by the blogging team of Elaine Everest and Natalie Kleinman. If you would like to feature your RNA Chapter, promote a book or write a craft feature please contact us on elaineeverest@aol.com

SERENA FAIRFAX: Loving That Feeling

Today we have author, Serena Fairfax visiting the blog.

Welcome, Serena, please tell us a little about your life.

I spent my childhood in India, qualified as a Lawyer in England and joined a London firm. Romance is hardwired into my DNA so my novels include a strong romantic theme. A few of my favourite things are collecting old masks, singing (in the rain) and exploring off the beaten track. 

Loving That Feeling is a great title. What is the story about?

Seared by a bigamous love cheat, London designer, Deborah Tremaine backs off sex. But when charismatic Serbian, Zoran Pavlović, who wants to demolish an art deco cinema she’s campaigning to save, crosses her path she’s up for a fling. Incidents trigger the revelation of their personal demons. Can they escape the black holes?

When writing your novels which is your favourite genre? 

It’s contemporary romantic fiction.

How do you fit your writing into your busy life? Are you a lark or an owl?

I write in the lunch hour at the office, I take my laptop to the office library and tap away there. You’d be surprised how many of us are beavering away at some sort of  magnum opus – plays, novels, poetry.  I write a few pages before I go into the office and when I return home. I’m a hybrid - a ‘larowl’ - which is both a lark and a night owl.

What advice would you give to those just starting out on their writing careers?

Read, Read, Read. Write, Write, Write. Don’t give up!

What is next in your writing life?

My next book is due for release by Siren BookStrand in Spring 2014. Then I’m off on holiday to Ukraine (political situation permitting) and hope to find inspiration there for another book.

Links:

Loving That Feeling Amazon UK

Loving That Feeling Amazon US

Barnes and Noble

Siren BookStrand

Kobo

Website        

 Blog            

 LinkedIn      

Twitter         

 Facebook   

 

 
Thank you so much for chatting with us, Serena. We hope that you enjoy your trip to the Ukraine.

The RNA blog is brought to you by the team of Elaine Everest and Natalie Kleinman.

If you have a book due for release or would like to blog about a writing topic then please contact us on: elaineeverest@aol.com

Mining History: A Story Seed Goldmine

Welcome to Frances Susanne Brown who is going to show us how to think about writing history.

History is made fresh daily. Every minute, every hour, every day that passes, events tumble into the endless well of ideas available to any writer of any genre. Today I would like to share with you three ways history can be used to inspire and shape a novel: as a backdrop, a springboard, and as a puzzle.

History as Backdrop

My favorite period of history is the Middle Ages. This fascination sparked the beginning of a writing career when my historical articles began to appear in magazines such as Renaissance, Herb Quarterly, the History Magazine, and Family Chronicle. But the concept of utilising a specific time period or historical event extends far beyond magazine articles.History as backdrop forms the framework of your story by providing the setting and the backbone. John Steinbeck wrote Grapes of Wrath about the American Great Depression in the Dust Bowl, but the work reached far beyond a documentary. Steinbeck created a family, the Joads, and overlaid their individual, fictional story against the backdrop of the world they lived in. Documented facts about how life affected real people during those times provided Steinbeck with a realistic source for how his characters reacted to their own situations.

History as Springboard

Authors often use one small element from history as inspiration to create an entire fictional world. Tracy Chevalier did this in Girl with a Pearl Earring. Chevalier claims her book was born while staring at her poster of this Vermeer painting. “I wondered,” she said, “what did Johannes Vermeer do to make the girl look at him that way?” From this one what if? Chevalier created Grete, the girl in the painting, an entire cast of characters, a situation, and an intriguing plot. Although she researched Vermeer’s life extensively, she didn’t find much documented about the elusive Dutch artist. Chevalier used the painting as a springboard for her entire story.

History as a Puzzle

What if history is incomplete? Dan Brown took bits and pieces of what is referred to as “alternative religious history” to create his best-selling novel The Da Vinci Code. Instead of using only one element for inspiration, Brown chose fragments from multiple historical periods and theories, combining them in a unique way to create his highly controversial novel. Controversy, however, isn’t always a bad thing. Press is press, and The Da Vinci Code went on to become a blockbuster in both print and on the screen.

What period of history fascinates you? Do a little research and become an armchair scholar, if you haven’t already. Then ask the question, what if? What if the duke or baroness had a secret lover nobody else knew about? What if star-crossed lovers boarded a ship destined to sink? How would that have played out against the backdrop of the times? Or perhaps you own a reproduction of a favourite painting you see every day. Take twenty minutes to sit in front of that image and free-write, creating a story about the people, place, or event it depicts – use it as a springboard.

You may be one who wonders about the mysteries in our human past. The unsolved crimes, the unexplained phenomena. Pick a few known facts out of what little information exists. Become a weaver of words, intertwining and recombining bits of history into a brand-new, completely original and compelling puzzle that is sure to attract the interest of any reader seeking an exciting new journey.

But then, doesn’t that describe every reader?

Frances Susanne Brown writes historical features for magazines, and her memoir, Maternal Threads, is due out in 2014 from High Hill Press. She is an avid fan of romance where history plays a role. She writes romance under the pseudonym Claire Gem. Her contemporary with paranormal elements stars a book-hurling ghost from the past haunting the hero and heroine. Read more at www.clairegem.com, 

www.francessusannebrown.com, 

www.maternalthreads.com.

Thank you, Frances for your most informative piece.

Brought to you by the blogging team of Elaine Everest and Natalie Kleinman
If you would like to write a craft article for the RNA blog please contact the team on elaineeverest@aol.com

JANE O'REILLY: INDECENT EXPOSURE

Today we welcome author, Jane O’Reilly to the blog.

Tell us something about yourself, Jane.

I started writing as an antidote to kid's TV when my youngest child was a baby. My first novel was set in my old school and involved a ghost and lots of death. It's unpublished, which is probably for the best. Then I discovered contemporary romance.

What gave you the idea for Indecent Exposure?

Initially I intended to write a short novella, and the first draft was only 15K. This took me about a week. Over subsequent drafts, I extended it until it was closer to 30K. I had specifically wanted to write erotica which was not BDSM focussed, and the lovely window of a photography studio near to me gave me the idea of a heroine who takes boudoir photos on the side.

How did you find your publisher?

I was looking for a UK based publisher and I knew that the newly established Carina UK was looking for writers. I submitted in the usual way, with a partial followed by a full. All in, it only took a couple of months from the initial query to acceptance.

What would be the perfect item to help you survive a holiday?

Factor 50 sunblock. I think I must have been a vampire in another life.

What’s next in your writing life?

I'm currently writing more erotic romances for Carina. Three were published in March, and I am contracted to write another four by the end of the year. I am also working on a romantic space opera trilogy (also known as the crazy space book) about a space pirate and a genetically modified woman.

Tell us about your latest book.

Ellie Smithson is a respectable photographer by day –  but after dark, she takes pictures of a more…intimate nature – a dirty little secret she’s kept from her accountant Tom. Then she discovers he is the subject of her next racy shoot.

Links:

Website http://www.janeoreilly.com

Amazon: Indecent Exosure

Thank you, Jane and good luck with you busy workload.

Complied by Elaine and brought to you by the blogging team of Elaine Everest and Natalie Kleinman.

If you have a book due for release and would like to be featured on the RNA blog please contact elaineeverest@aol.com

FOCUS ON: Leicester Chapter

This month we welcome members of the Leicester Chapter who tell us about their activities.

The Leicester Chapter of the RNA is organised by Lizzie Lamb and June Kearns and has twenty one members including Sue Moorcroft (Vice Chairman) Jean Chapman, Anthea Kenyon (Vice Presidents) and Adrienne Vaughan (Hon. news editor). The chapter meets once a month on a Friday at The Cow and Plough, Stoughton, Leicestershire from 12 noon to 3.30pm. Members come from as far afield as Manchester, Norwich and Sheffield but we are also joined by local writers. We share industry news, successes, and support each other through the good times and the bad.  Lately the chapter has had lots to celebrate with members gaining publishing contracts, being taken on by an agent, holding book signings in Waterstones for Valentine’s Day and forging ahead as indie authors.

In the past, the Leicester Chapter has held writers’ days at a local tea room, but as some of the membership already meet weekly at Leicester Writers’ Club and/or The Just Write Workshop it was felt that informal gatherings suited the chapter best. Having said that, twenty three chapter members recently spent a fabulous day at The Belmont Hotel, Leicester discussing a wide range of topics. These included: social networking – does it actually help to sell books/ Goodreads- how it works/ writing for the magazine market/ becoming more visible on Amazon through refining ‘tags’ and categories’/how to promote your books without turning off readers. This day was generously subsidised by the RNA and the chapter is already considering holding a similar day in the autumn.

More about the Leicester Chapters’ Writers’ Day will appear in the next edition of Romance Matters.

Well, that about sums up the Leicester Chapter. If you would like to join us please email Lizzie Lamb on cyberlambo@hotmail.com and come along and give us a try. We’re a friendly bunch who like helping others.

Thank you so much, Lizzie.

The RNA blog is brought to you by Elaine Everest and Natalie Kleinman. If you would like to see your Chapter featured here or have a craft article you'd like to share please contact us on elaineeverest@aol.com

If you have a book due for release why not book a blog spot and we will interview you?
We are now booking for June and July.

Plus One is a Lucky Number for Teresa F Morgan

Teresa F Morgan tell us how she found her publisher

A mum to two boys by day, romance writer by night. I’m at my happiest baking cakes, putting proper home cooked dinners on the table (whether the kids eat them or not), reading a good romance, or creating a touch of escapism with heroes readers will fall in love with.

Sophie Trewyn has a wedding to attend, and no one to go with, until her friend convinces his best mate, Adam Reid to go with her.  All the pretending, Sophie starts to wish it were true. But with some surprises in store, will Adam regret saying yes?

What gave you the idea for your book and how long did it take to write? 

I’ve always liked the concept of two people pretending to be in love. Is the affection real or pretend? It’s my favourite kind of storyline. Plus One is a Lucky Number is a little bit inspired by the film The Wedding Date. I wrote the first chapter for the Mills and Boon New Voice competition for September 2010 and had it finally finished and polished in 2012 to send out to publishers.

How did you find your publisher? 

Since joining the RNA New Writers’ Scheme, I have been attending the Bath and Wiltshire Chapter meetings organised by Rachel Brimble. Last summer, one of my chapter members (Lorraine Wilson) had just been accepted by Harper Impulse, so I checked out the company to see they were brand new, and thought let’s send it off! The manuscript was with the New Writers’ Scheme and I did contemplate waiting to hear back from them first, but decided to grab the bull by the horns. To cut a long story short, Lorraine helped me get to the top of the slush pile by mentioning my name to Charlotte Ledger, and as they say the rest is history. I believe Lorraine found out before I did that Harper Impulse wanted my book.

How do you fit your writing into your busy life? Are you a lark or an owl? 

I’m definitely an owl. I can’t get myself out of bed early to write. I’m up at 7am anyway with the boys to get them to school. I write best during the day while they are at school (when I am not doing the day job and real life isn’t getting in the way too much) and in the evenings, once they are in bed. I try to write/edit for at least one hour a day – where possible. I work Thursdays, Fridays and Saturdays, which usually leaves me too tired, so I try to do other (what I call) Writing Related Activities, i.e. reading, blogging, etc. on those days.

What is next in your writing life? 

I’m contracted with Harper Impulse for a second book and so I am trying to work through that at the moment. It’s at about 80,000 words but needs editing and some ‘additing’ (a word I made up in NaNoWriMo 2006). I really want to get it off to my publisher soon, as it feels like for a couple of years now I haven’t actually worked on anything fresh.

Blog: http://teresa-morgan.blogspot.co.uk/

Website: http://www.teresamorgan.co.uk/

Harper Impulse: http://www.harperimpulseromance.com/
Amazon.co.uk: (ebook) Plus One is a Lucky Number

Amazon.com: (ebook) Plus One is a Lucky Number

Amazon.co.uk (paperback release 8^th May 2014) One is a Lucky Number

Thank you for joining us today, Teresa

Compiled by Natalie and brought to you by the blogging team of Elaine Everest and Natalie Kleinman

Please contact us at elaineeverest@aol.com if you wish to be featured on our blog or would like to write a craft article.

A Glittering Night - The RoNA Awards

  

Welcome to Karen Aldous who tells us about her first trip to the RoNA Awards.

I’d really been looking forward to this event. Not only did it give me the opportunity to meet my editor for the first time but being among so many writers and getting the chance to meet them was truly amazing. The Gladstone Library at One Whitehall Place, SW1, provided the perfect setting to celebrate romance and the prestigious annual RoNAs. Glistening chandeliers fought with period fireplaces for my attention but the sparkling wine, unwavering chatter and anticipation diverted my focus.

Over two hundred guests attended the event including authors, editors and agents, all passionate about romance and eager to hear this year’s results. TV’s Strictly Come-Dancing Judge and ex-ballerina, the stunning Darcey Bussell CBE, presented the awards. Christina Courtenay was the first prize winner for her novel in the Historical Romance Category, The Gilded Fan, (Choc lit). Christina said ‘I’m truly honoured considering the massive group I’m up against.’

The Winners

An overcome and tearful Kate Hardy received her award next for the RoNA Rose Award for her series romance Bound by a Baby (Harlequin Mills & Boon).

Under the Epic Romantic Novel category, Jennifer McVeigh graciously accepted her trophy for The Fever Tree (Penguin) whilst Imogen Howson, admitting to shaking furiously, claimed her prize in the Young Adult Romantic category, for her novel Linked (Quercus).

A stunned and emotional Milly Johnson lit the stage with her humour as she collected the award for Best Romantic Comedy for her novel It’s Raining Men (Simon & Schuster). The only thing she’d won before, she told us, was a brick, and she was in the bottom of a pool in her pyjamas!

There was also a special award and huge applause for Dr David Hessayon, who continues to support the RNA New Writers Scheme on behalf of his late wife and historical romance novelist, Joan Hessayon. Dr Hessayon, famous for his own gardening-book series, revealed Joan’s motivation was never about the fame, in fact, she never sought it – her research and writing were enough, but her legacy came from her passion for wanting to help other writers. Many writers of romance are indebted to Joan and David’s generosity.

This year's Outstanding Achievement Award went to the legendary, Helen Fielding for her Bridget Jones Diary series which is still a huge favourite of mine. A delighted Helen surprised me when she confessed she’d never had an award for her achievements before but owes her inspiration to another legend who advised her to ‘write as if you’re writing a letter to a friend’. Encouraging for most of us writers was the news she too had received her share of rejections. Proof enough that persistence pays off. She wished us all every success.

Huge congratulations go to Veronica Henry for winning the prestigious prize for Romantic Novel of the Year with her title A Night on the Orient Express which also won the Contemporary Romance Category. Veronica was clearly chuffed and I’m sure, considering the accolade, her son will forgive her for missing his eleventh Birthday!

Finally, a big thank you must go to RNA President, Katie Fforde for introducing the event and Chair, Pia Fenton and her committee for the organisation and running of such a lovely evening.

Thank you, Karen,

If readers wish to know more about this exciting event please look at the full report on the RNA website: 

http://www.romanticnovelistsassociation.org/news/entry/veronica_henry_wins_romantic_novel_of_the_year_award

Brought to you by the blogging team of Elaine Everest and Natalie Kleinman

If you wish to be featured on the RNA blog or would like to submit a craft article please contact us on elaineeverest@aol.com

FOCUS ON: Carmarthenshire Chapter

Today we welcome Sandra Mackness to tell us the latest news from the Carmarthenshire Chapter.

Welcome, Sandra.

 



 

The Carmarthenshire chapter was first founded by Liz Fielding but over the years, most of the original members, including Liz, have moved away or no longer belong to the RNA. That left Christine Stovell, Rachael Thomas and me.

 

In December 2012 we got together with members living in the Vale of Glamorgan and that meeting was attended by Jean Fullerton. 

We have decided to meet again in Cardiff on Tuesday 29th April. This will be an opportunity to look back at how we’ve all progressed since our last Cardiff meeting and I know from experience how generous and supportive the published members are towards those still working towards publication. Liz Fielding is hoping to cross the border from England to Wales and there should be around six to eight of us.

I’d like to take this opportunity and say, if you live within easy distance of Cardiff, we’d love it if you came along too. We will confirm venue and time at a later date but I think a 12.00 to 3.00 pm session is best, as three of us are bound by train connection times.

 

Cardiff has an awesome castle and museum plus a great shopping centre, all within walking distance of the bus and train stations so you could combine research with lunch and writerly discussion. 

My email address is sandramackness@btconnect.com if you’d like to join us on this occasion or be kept informed of further meetings.

Thank you, Sandra, we hope you have a lovely time at your get together. 

Brought to you by the blogging team of Elaine Everest and Natalie Kleinman. If you wish your Chapter of the RNA to be featured or you have a book due for release please contact us on: elaineeverest@aol.com